AAP logoAAP logo
Browse

Culture And Society

  • +2
    CFP: French Colonial Historical Society Annual Meeting in Martinique
    The 47th annual meeting of the French Colonial Historical Society (FCHS) will take place at the Université des Antilles in Martinique, May 4-6, 2023. We welcome panels and papers related to this year's theme, "The Color of Slavery: Construction and Deconstruction of a Colonial System." This includes contributions on the racial legacies of slavery in French colonial and post-colonial societies in the Caribbean, the Atlantic, and the Indian Ocean. We also solicit proposals that address any aspect of French colonial history.   Individual or panel propsals will be accepted between September 30 and November 15, 2022. Please send proposals to frenchcolonial2023@gmail.com.   Please see the FCHS English CFP for more details related to the conference, submissions, and grant opportunities. ------------------------------------------------------------------- Le 47e congrès annuel de la Société d'Histoire Coloniale Française (SHCF) se tiendra du 4 au 6 mai 2023 à l'Université des Antilles, pôle Martinique. Sous le titre « La couleur de l'esclavage : construction et déconstruction d'un système colonial », le congrès 2023 envisagera les espaces concernés par le commerce négrier, d'une Caraïbe étendue de la Louisiane aux Guyanes à un océan Indien étiré de Madagascar aux comptoirs des Indes orientales. Le thème de cette année permettra de considérer des sujets associés à l'esclavage, à ses héritages et à la colonisation des mondes atlantiques et indiens. Cependant, comme tous les ans, les propositions de communiation sur d'autres aspects de l'histoire coloniale française pourront également être pris en considération.  Les propositions pour des ateliers complets ou des communications individuelles seront acceptées entre le 30 septembre et le 15 novembre 2022. Veuillez envoyer votre proposition de communication ou d'atelier au comité scientifique par courriel à l'adresse suivante: frenchcolonial2023@gmail.com Veuillez consulter Appel SHCF français pour plus de détails sur le congrès, le processus de soumission, et des opportunités de candidater pour nos bourses. 
    By: Raquel Acosta
  • +2
    CFP: French Colonial Historical Society Annual Meeting in Martinique
    The 47th annual meeting of the French Colonial Historical Society (FCHS) will take place at the Université des Antilles in Martinique, May 4-6, 2023. We welcome panels and papers related to this year's theme, "The Color of Slavery: Construction and Deconstruction of a Colonial System." This includes contributions on the racial legacies of slavery in French colonial and post-colonial societies in the Caribbean, the Atlantic, and the Indian Ocean. We also solicit proposals that address any aspect of French colonial history.   Individual or panel propsals will be accepted between September 30 and November 15, 2022. Please send proposals to frenchcolonial2023@gmail.com.   Please see the FCHS English CFP for more details related to the conference, submissions, and grant opportunities. ------------------------------------------------------------------- Le 47e congrès annuel de la Société d'Histoire Coloniale Française (SHCF) se tiendra du 4 au 6 mai 2023 à l'Université des Antilles, pôle Martinique. Sous le titre « La couleur de l'esclavage : construction et déconstruction d'un système colonial », le congrès 2023 envisagera les espaces concernés par le commerce négrier, d'une Caraïbe étendue de la Louisiane aux Guyanes à un océan Indien étiré de Madagascar aux comptoirs des Indes orientales. Le thème de cette année permettra de considérer des sujets associés à l'esclavage, à ses héritages et à la colonisation des mondes atlantiques et indiens. Cependant, comme tous les ans, les propositions de communiation sur d'autres aspects de l'histoire coloniale française pourront également être pris en considération.  Les propositions pour des ateliers complets ou des communications individuelles seront acceptées entre le 30 septembre et le 15 novembre 2022. Veuillez envoyer votre proposition de communication ou d'atelier au comité scientifique par courriel à l'adresse suivante: frenchcolonial2023@gmail.com Veuillez consulter Appel SHCF français pour plus de détails sur le congrès, le processus de soumission, et des opportunités de candidater pour nos bourses.  Read more
    By: Raquel Acosta
  • +2
    Call for Paper: Using ICTs to Preserve African Indigenous Knowledge Management Systems
    Using ICTs to Preserve African Indigenous Knowledge Management SystemsGuest edited by Dr. Simon-Peter Kafui Aheto Over the years, Africa has evolved in its preservation of indigenous knowledge management systems through oral history, semiotics, traditional codes and arguably, less to do with modern digital technologies. The risk of progressive loss or extinction of some sustainable practices, courtesy our indigenous knowledge management that hitherto supported sectors on education, agriculture, vocation, commerce, governance, environment, security, climate, economy, food security, health and public order is clear. It is obvious that an open discourse and action on the preservation of Africa indigenous knowledge management systems cannot wait further. Africa has expressed its preservation through myths, storytelling, adinkra symbols, use of amulets, concoction use, rules on natural resources such as gold and diamond. Indigenous technologies were used to manage forests, water bodies and food security in Africa better than today. One may argue that current depletion of resources may be due to population explosion, economic situations and sophistication in technology. However, the question still remains that how did Africa manage its governance, security and health systems without the sophistication of technology at the time? It is obvious that some lessons could be learnt. How has Africa developed and preserved its numerous languages over thousands of years without digitization? Through modernization, patents have been taken for granted for indigenous cultural practices in agriculture and the use of symbols such as the adinkra, beads and craft works.   Countries are beginning to preserve their indigenous knowledge. One such example is South Africa. Since 2006, the country adopted a policy framework on the promotion and protection of Indigenous Knowledge Systems in South Africa. Through the Ulwazi Programme, several documentations on South African indigenous culture, local history like celebration of the rite of passage specific to Durban is being preserved via online media. The preservation of African indigenous knowledge management systems can be achieved through consciousness and proactiveness via dynamic legal frameworks and policy formulation with regard to data protection and research. There is no doubt that ICTs could be used to achieve the preservation of African indigenous knowledge management systems. This call therefore invites concepts and original research works on the preservation of African indigenous knowledge management systems using ICTs. Submissions may cover the following areas: The concept of African indigenous knowledge management systems How African indigenous knowledge management systems can be promoted via ICTs Case studies on African indigenous knowledge management systems via ICTs Software applications that can support on African indigenous knowledge in archiving Deadline for Abstract Submission: December 15, 2022Full paper is due by March 31, 2023 Direct all inquiries and submit abstracts and full papers to Dr. Simon-Peter Kafui Aheto at saheto@ug.edu.gh More about Using ICTs to Preserve African Indigenous Knowledge issue  
    By: Raquel Acosta
  • +2
    Call for Paper: Using ICTs to Preserve African Indigenous Knowledge Management Systems
    Using ICTs to Preserve African Indigenous Knowledge Management SystemsGuest edited by Dr. Simon-Peter Kafui Aheto Over the years, Africa has evolved in its preservation of indigenous knowledge management systems through oral history, semiotics, traditional codes and arguably, less to do with modern digital technologies. The risk of progressive loss or extinction of some sustainable practices, courtesy our indigenous knowledge management that hitherto supported sectors on education, agriculture, vocation, commerce, governance, environment, security, climate, economy, food security, health and public order is clear. It is obvious that an open discourse and action on the preservation of Africa indigenous knowledge management systems cannot wait further. Africa has expressed its preservation through myths, storytelling, adinkra symbols, use of amulets, concoction use, rules on natural resources such as gold and diamond. Indigenous technologies were used to manage forests, water bodies and food security in Africa better than today. One may argue that current depletion of resources may be due to population explosion, economic situations and sophistication in technology. However, the question still remains that how did Africa manage its governance, security and health systems without the sophistication of technology at the time? It is obvious that some lessons could be learnt. How has Africa developed and preserved its numerous languages over thousands of years without digitization? Through modernization, patents have been taken for granted for indigenous cultural practices in agriculture and the use of symbols such as the adinkra, beads and craft works.   Countries are beginning to preserve their indigenous knowledge. One such example is South Africa. Since 2006, the country adopted a policy framework on the promotion and protection of Indigenous Knowledge Systems in South Africa. Through the Ulwazi Programme, several documentations on South African indigenous culture, local history like celebration of the rite of passage specific to Durban is being preserved via online media. The preservation of African indigenous knowledge management systems can be achieved through consciousness and proactiveness via dynamic legal frameworks and policy formulation with regard to data protection and research. There is no doubt that ICTs could be used to achieve the preservation of African indigenous knowledge management systems. This call therefore invites concepts and original research works on the preservation of African indigenous knowledge management systems using ICTs. Submissions may cover the following areas: The concept of African indigenous knowledge management systems How African indigenous knowledge management systems can be promoted via ICTs Case studies on African indigenous knowledge management systems via ICTs Software applications that can support on African indigenous knowledge in archiving Deadline for Abstract Submission: December 15, 2022Full paper is due by March 31, 2023 Direct all inquiries and submit abstracts and full papers to Dr. Simon-Peter Kafui Aheto at saheto@ug.edu.gh More about Using ICTs to Preserve African Indigenous Knowledge issue   Read more
    By: Raquel Acosta
  • +1
    Call for Papers: Nokoko special issue
    CFP: Nokoko special issue African Futures: Ambiguities, contentions, and connections in African speculative fiction and beyond The terms used to describe uniquely African or diasporic literatures of the future are contested. In her article, The Speculative Turn in African Literature (2019), Michelle Louise Clark considers science fiction to have poorly served those who have felt excluded from the genre, yet terms likeAfrofuturism are hardly universally applicable either. New categories to describe African diaspora literature have been created, rejected, taken up or defended in both academic and more open literary spaces: In her 2019 essays titled “Africanfuturism defined”, Nnedi Okorafor’s creation ofthe term Africanfuturism makes a clear distinction between sci-fi and speculative fiction written from a continental vs. diasporic point of view. Yet Sean Guynes (2021) points out that Afrofuturism does not necessarily hold water for Caribbean and South America writers, or for Africans in the European diaspora. Clark (2019) identifies still other, more contextually-anchored categories including Black Speculative Arts Movement, Black Quantum Futurism, Afrofuturismo, Afrofuturista, Astro-Blackness, and Afro-Surrealism, to name but a few. Clark (2019) further notes that science fiction and speculative writing are longstanding features of African writing and cultural production. However, as Guynes (2021) points out, recent discussions around categorization, genre and labels have produced a wealth of new approaches, theories, andexplorations into African futurity in literature. Futurity itself remains up for debate. Scholars like Amir Eshel, author of Futurity: Contemporary Literature and the Quest for the Past (2013) have used the term to describe a general literary turn towards imagined futures and to describe “the potential of literature to widen the language and to expand the pool of idioms we employ in making sense of what has occurred while imagining whom we may become.” Likewise, Guynes (2021) identifies futurity as engaging with a text or practice that draws upon the present to explore the possible nature of one’s subjectivity in the future. Though definitions differ, debates over the concept share a belief that in the here and now, futurity offers imaginative space towards new tomorrows. The vast array of possibilities and discussions bring to mind an island emerging from the ocean, with a yet unknown geography encircled by bubbling and raucous waters. We are at a unique moment in the history of African science and speculative fiction, one that defies narrow canonization, embraces the ambiguities of the moment and acknowledges difference as a concept worthy of exploration. What is clear, is that these emerging genres do not pretend to weave new realities without context, history or cultural politics. Nnedi Okorafor (2019), makes this clear in her definition of Africanfuturism, a point of view that “will tend to naturally have mystical elements (drawn or grown from actual African cultural beliefs/world views, not something merely made up).” As Nwankwo and Egbunike write in their introduction to ALT 39’s issue on Speculativeand Science Fiction, works by authors who are less-well known internationally, and written in African languages, are being recognized as inspiration for contextual, grounded and nevertheless speculative works by their contemporaries and their literary successors. Lastly, the possibilities of African science and speculative fiction extend beyond literature. Music, photography, film, dance, and the fine arts have all been influenced by the debates around afro/africanfuturism and no doubt are fomenting their own terms and philosophies to best articulate their visions. The goal of this special issue of Nokoko is to explore the still unfolding discussions around African science and speculative writing and fantasy. The special issue also seeks to examine where futurism rears its head in disciplines beyond Literature. We welcome:• articles that examine contemporary works of science and speculative fiction• articles that examine diasporic debates around science and speculative fiction• articles that trace the history of futurity or future thinking in an artistic practice or artist’s trajectory on the continent or in the diaspora• articles that explore the relationship between African spirituality and science and speculative fiction or arts creation• articles that explore language debates and the speculative turn• articles that examine non-literary yet cultural phenomena that are impacted by or are impacting concepts of futurity• articles that examine the role of technology, information networks and bio-tech in African science and speculative fiction• articles that explore taxonomical debates in African science and speculative fiction• articles that explore the connections between contemporary science and speculative fiction and Africa’s rich oral narrative heritage and its association with myth and fantasy.   Abstracts of 300 words due by November 21, 2022. Scholars whose abstracts are approved by the editors will be required to submit papers that critically engage with any number of these issues. Submissions should be no longer than 8,000 words. We also welcome shorter contributions, such as poetry, art, short fiction and creative nonfiction, as well as photo essays. Articles should follow Nokoko’s https://ojs.library.carleton.ca/index.php/nokoko/information/authors We encourage potential authors to discuss articles in progress if they seek advice on preparing a successful submission. Please contact us if you wish to propose a particular book for review(s) and we will assist in finding a review copy. Book reviews have a 1,000-word limit, although extended book reviews of two or more books may be longer (see, for example, the extended review by Heffernan in Issue 7). We also continue to accept articles outside this theme-specific area. Submission Deadlines: Draft paper due by April 1, 2023, to be submitted through Nokoko portal at https://ojs.library.carleton.ca/index.php/nokoko/about/submissions or by email to: nokoko@cunet.carleton.ca For clarification on any part of this CFP please contact the Issue editors:Chichi Ayalogu: ChiChiAyalogu@cmail.carleton.caEmma Bider: emmabider@cunet.carleton.ca
    By: Raquel Acosta
  • +1
    Call for Papers: Nokoko special issue
    CFP: Nokoko special issue African Futures: Ambiguities, contentions, and connections in African speculative fiction and beyond The terms used to describe uniquely African or diasporic literatures of the future are contested. In her article, The Speculative Turn in African Literature (2019), Michelle Louise Clark considers science fiction to have poorly served those who have felt excluded from the genre, yet terms likeAfrofuturism are hardly universally applicable either. New categories to describe African diaspora literature have been created, rejected, taken up or defended in both academic and more open literary spaces: In her 2019 essays titled “Africanfuturism defined”, Nnedi Okorafor’s creation ofthe term Africanfuturism makes a clear distinction between sci-fi and speculative fiction written from a continental vs. diasporic point of view. Yet Sean Guynes (2021) points out that Afrofuturism does not necessarily hold water for Caribbean and South America writers, or for Africans in the European diaspora. Clark (2019) identifies still other, more contextually-anchored categories including Black Speculative Arts Movement, Black Quantum Futurism, Afrofuturismo, Afrofuturista, Astro-Blackness, and Afro-Surrealism, to name but a few. Clark (2019) further notes that science fiction and speculative writing are longstanding features of African writing and cultural production. However, as Guynes (2021) points out, recent discussions around categorization, genre and labels have produced a wealth of new approaches, theories, andexplorations into African futurity in literature. Futurity itself remains up for debate. Scholars like Amir Eshel, author of Futurity: Contemporary Literature and the Quest for the Past (2013) have used the term to describe a general literary turn towards imagined futures and to describe “the potential of literature to widen the language and to expand the pool of idioms we employ in making sense of what has occurred while imagining whom we may become.” Likewise, Guynes (2021) identifies futurity as engaging with a text or practice that draws upon the present to explore the possible nature of one’s subjectivity in the future. Though definitions differ, debates over the concept share a belief that in the here and now, futurity offers imaginative space towards new tomorrows. The vast array of possibilities and discussions bring to mind an island emerging from the ocean, with a yet unknown geography encircled by bubbling and raucous waters. We are at a unique moment in the history of African science and speculative fiction, one that defies narrow canonization, embraces the ambiguities of the moment and acknowledges difference as a concept worthy of exploration. What is clear, is that these emerging genres do not pretend to weave new realities without context, history or cultural politics. Nnedi Okorafor (2019), makes this clear in her definition of Africanfuturism, a point of view that “will tend to naturally have mystical elements (drawn or grown from actual African cultural beliefs/world views, not something merely made up).” As Nwankwo and Egbunike write in their introduction to ALT 39’s issue on Speculativeand Science Fiction, works by authors who are less-well known internationally, and written in African languages, are being recognized as inspiration for contextual, grounded and nevertheless speculative works by their contemporaries and their literary successors. Lastly, the possibilities of African science and speculative fiction extend beyond literature. Music, photography, film, dance, and the fine arts have all been influenced by the debates around afro/africanfuturism and no doubt are fomenting their own terms and philosophies to best articulate their visions. The goal of this special issue of Nokoko is to explore the still unfolding discussions around African science and speculative writing and fantasy. The special issue also seeks to examine where futurism rears its head in disciplines beyond Literature. We welcome:• articles that examine contemporary works of science and speculative fiction• articles that examine diasporic debates around science and speculative fiction• articles that trace the history of futurity or future thinking in an artistic practice or artist’s trajectory on the continent or in the diaspora• articles that explore the relationship between African spirituality and science and speculative fiction or arts creation• articles that explore language debates and the speculative turn• articles that examine non-literary yet cultural phenomena that are impacted by or are impacting concepts of futurity• articles that examine the role of technology, information networks and bio-tech in African science and speculative fiction• articles that explore taxonomical debates in African science and speculative fiction• articles that explore the connections between contemporary science and speculative fiction and Africa’s rich oral narrative heritage and its association with myth and fantasy.   Abstracts of 300 words due by November 21, 2022. Scholars whose abstracts are approved by the editors will be required to submit papers that critically engage with any number of these issues. Submissions should be no longer than 8,000 words. We also welcome shorter contributions, such as poetry, art, short fiction and creative nonfiction, as well as photo essays. Articles should follow Nokoko’s https://ojs.library.carleton.ca/index.php/nokoko/information/authors We encourage potential authors to discuss articles in progress if they seek advice on preparing a successful submission. Please contact us if you wish to propose a particular book for review(s) and we will assist in finding a review copy. Book reviews have a 1,000-word limit, although extended book reviews of two or more books may be longer (see, for example, the extended review by Heffernan in Issue 7). We also continue to accept articles outside this theme-specific area. Submission Deadlines: Draft paper due by April 1, 2023, to be submitted through Nokoko portal at https://ojs.library.carleton.ca/index.php/nokoko/about/submissions or by email to: nokoko@cunet.carleton.ca For clarification on any part of this CFP please contact the Issue editors:Chichi Ayalogu: ChiChiAyalogu@cmail.carleton.caEmma Bider: emmabider@cunet.carleton.ca Read more
    By: Raquel Acosta
  • +1
    CFP: A History of the Constitutionalisation and Dynamics of African Monarchs in African Republics
    This call for paper focuses on the constitutionalisation and dynamics of African Monarchs (Kings, Queen Mothers, and Chiefs) since independence in the ‘Africa of Republics’ and ‘African monarchies.’ With the ascension of African nation states to independence, a continental replication of republicanism followed except for Morocco, Lesotho and Eswatini which emerged from the colonial mould as sovereign constitutional monarchies. Out of Africa’s 54 fully recognised sovereign states today, 51 are constitutional republics which still contain traditional monarchies which stand out as sub-national entities (see Iddawela & Rodríguez-Pose 2021) while three are sovereign monarchies. Prototypes of sub-national entities within African sovereign states include, but are not limited to, the Yoruba kingdoms (Nigeria), the Buganda kingdom (Uganda), the Ashanti kingdom (Ghana), the Zulu kingdom (South Africa), the Ndebele kingdom (Zimbabwe), the Gaza kingdom (south-eastern Zimbabwe stretching down to the southern part of Mozambique), and the Lozi kingdom (Zambia).  Traditional monarchies/chiefdoms still flourish in African republics today as sub-national entities and special constitutional provisions have been enacted to recognise them and increase their relevance in contemporary governance (Iddawela & Rodríguez-Pose 2021). Traditional authorities in post-colonial Africa are important players in a single, integrated modern political republican system, rather than opponents in a sharply bifurcated state (see Muriaas 2011; Logan 2009). African traditional authorities have been gradually given a stamp of constitutional recognition in the African post-colony.  The constitutionalisation of African monarchies simply refers to the recognition and inclusion of Kings, Chiefs and Queen Mothers into African republican constitutional frameworks as relevant political actors in the overall governance processes in Africa. This is done despite the chequered past of traditional rulers as collaborators of slave dealers and oppressive colonial regimes. The politics of inclusion and the dynamics of African Monarchs in the new political dispensation have not been critically historicised and contextualised within the political dynamics of the post-colony and on a comparative continental basis to fully appreciate the trajectory of these phenomena. This lacuna needs to be urgently addressed.  We intend to bring together a coterie of scholars from different parts of the continent to brainstorm on the trail of the constitutionalisation and dynamics of African traditional monarchs within and across African states since independence. The terms ‘Monarchs’, ‘Traditional Authorities’, ‘Traditional Leaders’, ‘Kings’ and ‘Chiefs’, Queen Mothers, and the Rain Queens of Balobedu are synonymous in this Call For Papers. Monarchs or traditional authorities refer to the historically rooted indigenous African leadership. Nonetheless, Ubink (2008) quickly posits that the current traditional leaders in Africa do not all have pre-colonial roots. Instead of referring to historic roots, ‘traditional leadership’ refers to leadership whose legitimacy is rooted in history-either real or invented-and culture, often combined with religious, divine, or sacred references. Ubink therefore provides are more encompassing concept for African traditional rulers.  Africa’s monarchies have survived the post-colonial wind of change. Globally the pendulum has been swinging between monarchism and republicanism as alternative constitutional regimes since modern times. In 1793 the republic was presented as the mortal enemy of the monarchy with the beheading of the French royal couple in Paris (Finnsson 2018; Langewiesche, 2017). But monarchism remained entrenched in continental Europe until World War I unleashed the final coups de grâce on it following the defeat of monarchical regimes. It was soon the turn of Africa to attempt to uproot and destroy its monarchies which were so entrenched in the culture and tradition of the peoples. Was this an achievable and a desirable task? Why have the sovereign African monarchies of Morocco, Lesotho and Eswatini survived as alternatives to republicanism?  There are two identifiable phases in the trajectory of African monarchs in Africa since independence. The first phase starts from the eve of African independence to 1989 and was characterised by the caricaturing, demonisation, criminalisation and eclipsing of traditional authorities. The second phase was triggered by the Huntington’s third democratic wave in Africa and was marked by the resurgence and revalorisation of African monarchs and their integration in the republican constitutions of African states.  African traditional institutions and mechanisms were henceforth being employed to provide more content to the nation-building. They assumed their roles as dynamic and influential local political structures that the rural population easily identified with as the crystallizing socio-political agency. The effort of the post-colonial state to constitutionalise traditional institutions was a way of arguably reforming and re-traditionalising chieftaincy and re-engaging them in nation-building (Momoh 2004).  PHASE 1: The Era of the Caricaturing, Demonising, Criminalising and Eclipsing of Traditional Monarchs from the eve of independence to 1989  Traditional authorities were generally subjected to virulent criticism as relicts of the feudal order and colonial collaborators who simply had to be discarded in the new independent African republican governments. They were seen as impediments to modernisation and nation-building and accused of operating on principles that were antithetical to democratic ideas and values. For example, a chief was not elected into office by popular vote, but through lineage, and is thus in office for life. This system was patriarchal and largely excluded women from the office based on repugnant customary laws that were oppressive to women (Logan 2009; Beall & Hassim 2005).  Some countries, such as Guinea Conakry, Uganda and Tanzania ventured to formally abolish traditional leadership as competitors to the modern state (Suret-Canale 1966; Oloka‐Onyango 1997; Crutcher 1969). Other countries entered a path to curtail chiefs’ powers. For instance, the first independent government of Ghana, headed by President Kwame Nkrumah, abolished the formal judicial function of the chiefs, and tried to break their economic power base by depriving them of any role in land management and eventually of ownership and their claims to have the right to collect land ‘rents’ (Rathbone 2000). The Botswana government in the first years after independence transferred the responsibility for local health, education and public works, the levy of local taxes, and the impounding of stray stock from the chief and his tribal administration to the newly created District Councils, and the right to allocate tribal land to executive tribunals, known as Land Boards (Denbow et al 2006). Julius Nyerere’s Tanzania abolished the chieftainship institutions and replaced them with a modern administrative system. In Mozambique, the socialist Frelimo government upon gaining its independence in 1975 banned chiefs and set up new governance structures to undermine them.  In some other African countries, the state administration ignored chiefs and left them to their own devices and expected them to either thrive in the locality or to slowly wither away. This did not happen because during the first decades of independence, Chieftaincy institutions did not disintegrate. They continued to be relevant to their constituencies because of the important roles they played in their communities.  Phase II: The Third Democratic Wave, the introduction of Multipartyism and the Collapse of Apartheid and the fate of Traditional Monarchies  The “third wave" of democratisation” that “swept through the African continent since the 1990s (Huntington 1993) unleashed in its wake some sort of epidemic of constitution-making” (Fombad 2007: 1). New or substantially revised constitutions were introduced in most African countries that “contained provisions that “purported to recognise and protect most of the fundamental human rights that are associated with constitutionalism and Western liberal democracy, with one of the most significant developments being the recognition of political pluralism and the legalisation of previously banned political parties” (Fombad 2007: 1) It was in this context of competitive political pluralism that traditional rulers resurfaced and reasserted themselves as forces to reckon with (Tom Goodfellow and Stefan Lindemann 2013; Englebert 2002; Foucher & Smith 2011; Ubink 2008; Chimhowu 2019).Many African countries reviewed their republican constitutions and integrated African monarchies.  The Ghana Constitution of 1992 guaranteed the institution of chieftaincy and restricted the state from appointing or refusing to recognise chiefs (article 270) (Alden Willy and Hammond 2001; Ubink 2008). In Uganda the powerful kingdom of Buganda, abolished by Uganda’s 1967 Constitution after the Buganda king had been exiled in 1966 was largely restored in 1993 by President Museveni. Despite the negative role of traditional authorities during the Apartheid period, South Africa worked towards collaboration with traditional rulers and entrenched their positions in the post-apartheid constitutions. The South African Parliament passed two pieces of legislation in 2003 that clarified the position of traditional authorities in South Africa’s democracy (Claassens 2006; Ntsebeza 2003; 2005; Ntshona and Lahiff 2003; Oomen 2002). Many African countries have established House of Chiefs in recognition of the importance of traditional authorities (Ubink 2008). The trajectory of African traditional rulers in post-independence Africa is emblematic of dynamism as captured in Professor Nyamnjoh’s incisive article on Chieftaincy and democracy in contemporary Cameroon and Botswana (Nyamnjoh, 2014). This general trajectory in Africa deserves scholarly investigation.  We invite paper abstracts of 600-1000 words that will analyse these issues within individual countries, comparatively, and/ or through the lenses of different case studies. The abstracts should focus on, but not limited to, the following themes:  From exclusion to inclusion of Traditional Rulers in post-independence African Politics  The trajectory of Traditional Authorities through the politico-constitutional mould  A Comparative Study of the constitutionalisation of Traditional Authorities in Africa  A critical analysis of the constitutional basis of the enthronement and destitution of  Traditional Rulers in specific African counties since independence  Extra-Constitutional Formation and Evolution of the League of Traditional Rulers (i.e. the North-West and South West Chiefs Conferences) in Cameroon in the era of political liberalisation.  The Zulu nation in South Africa and the Making and Evolution of the 1994 South African post-apartheid Constitution.  The Birth, Evolution and Achievements of the South African Provincial Houses of Traditional Leaders  The inclusion and exclusion of the modern state in political transition in African kingdoms after the demise of a King/Queen Mother since independence.  Critical Perspectives of Challenges of Reconciling Traditional Rulers and African Democratic Governments based on Western European Models.  Post-independence political positioning of Traditional Rulers in modern politics  A Comparative Study of Queen Mother Institutions in Africa since independence  A History of African Female Chiefs in the House of Chiefs  Conference Coordination: University of the Free State Call for Paper Deadline: 30 November 2022  Please send 600-1000 words abstract of your paper and a 150-word bio in an MS Word document. Abstracts will be accepted in English or French. The abstract should clearly reflect the (i) aims, (ii) research questions, (iii) methodology, (iv) innovative potential/originality and (v) relevance of the paper.  Notification of accepted proposals will occur by 20 December 2022. Final manuscripts should be due on 20 January 2023.  Expected outcome of conference: Selected papers would be published in a book  If you have any questions, please feel free to email the convenors. Please send your submissions to: Email address: africacostit399@gmail.comEmail address: constitutionindepe@gmail.com Tentative Conference Dates: 2-4 February 2023
    By: Raquel Acosta
    post image
  • +1
    CFP: A History of the Constitutionalisation and Dynamics of African Monarchs in African Republics
    This call for paper focuses on the constitutionalisation and dynamics of African Monarchs (Kings, Queen Mothers, and Chiefs) since independence in the ‘Africa of Republics’ and ‘African monarchies.’ With the ascension of African nation states to independence, a continental replication of republicanism followed except for Morocco, Lesotho and Eswatini which emerged from the colonial mould as sovereign constitutional monarchies. Out of Africa’s 54 fully recognised sovereign states today, 51 are constitutional republics which still contain traditional monarchies which stand out as sub-national entities (see Iddawela & Rodríguez-Pose 2021) while three are sovereign monarchies. Prototypes of sub-national entities within African sovereign states include, but are not limited to, the Yoruba kingdoms (Nigeria), the Buganda kingdom (Uganda), the Ashanti kingdom (Ghana), the Zulu kingdom (South Africa), the Ndebele kingdom (Zimbabwe), the Gaza kingdom (south-eastern Zimbabwe stretching down to the southern part of Mozambique), and the Lozi kingdom (Zambia).  Traditional monarchies/chiefdoms still flourish in African republics today as sub-national entities and special constitutional provisions have been enacted to recognise them and increase their relevance in contemporary governance (Iddawela & Rodríguez-Pose 2021). Traditional authorities in post-colonial Africa are important players in a single, integrated modern political republican system, rather than opponents in a sharply bifurcated state (see Muriaas 2011; Logan 2009). African traditional authorities have been gradually given a stamp of constitutional recognition in the African post-colony.  The constitutionalisation of African monarchies simply refers to the recognition and inclusion of Kings, Chiefs and Queen Mothers into African republican constitutional frameworks as relevant political actors in the overall governance processes in Africa. This is done despite the chequered past of traditional rulers as collaborators of slave dealers and oppressive colonial regimes. The politics of inclusion and the dynamics of African Monarchs in the new political dispensation have not been critically historicised and contextualised within the political dynamics of the post-colony and on a comparative continental basis to fully appreciate the trajectory of these phenomena. This lacuna needs to be urgently addressed.  We intend to bring together a coterie of scholars from different parts of the continent to brainstorm on the trail of the constitutionalisation and dynamics of African traditional monarchs within and across African states since independence. The terms ‘Monarchs’, ‘Traditional Authorities’, ‘Traditional Leaders’, ‘Kings’ and ‘Chiefs’, Queen Mothers, and the Rain Queens of Balobedu are synonymous in this Call For Papers. Monarchs or traditional authorities refer to the historically rooted indigenous African leadership. Nonetheless, Ubink (2008) quickly posits that the current traditional leaders in Africa do not all have pre-colonial roots. Instead of referring to historic roots, ‘traditional leadership’ refers to leadership whose legitimacy is rooted in history-either real or invented-and culture, often combined with religious, divine, or sacred references. Ubink therefore provides are more encompassing concept for African traditional rulers.  Africa’s monarchies have survived the post-colonial wind of change. Globally the pendulum has been swinging between monarchism and republicanism as alternative constitutional regimes since modern times. In 1793 the republic was presented as the mortal enemy of the monarchy with the beheading of the French royal couple in Paris (Finnsson 2018; Langewiesche, 2017). But monarchism remained entrenched in continental Europe until World War I unleashed the final coups de grâce on it following the defeat of monarchical regimes. It was soon the turn of Africa to attempt to uproot and destroy its monarchies which were so entrenched in the culture and tradition of the peoples. Was this an achievable and a desirable task? Why have the sovereign African monarchies of Morocco, Lesotho and Eswatini survived as alternatives to republicanism?  There are two identifiable phases in the trajectory of African monarchs in Africa since independence. The first phase starts from the eve of African independence to 1989 and was characterised by the caricaturing, demonisation, criminalisation and eclipsing of traditional authorities. The second phase was triggered by the Huntington’s third democratic wave in Africa and was marked by the resurgence and revalorisation of African monarchs and their integration in the republican constitutions of African states.  African traditional institutions and mechanisms were henceforth being employed to provide more content to the nation-building. They assumed their roles as dynamic and influential local political structures that the rural population easily identified with as the crystallizing socio-political agency. The effort of the post-colonial state to constitutionalise traditional institutions was a way of arguably reforming and re-traditionalising chieftaincy and re-engaging them in nation-building (Momoh 2004).  PHASE 1: The Era of the Caricaturing, Demonising, Criminalising and Eclipsing of Traditional Monarchs from the eve of independence to 1989  Traditional authorities were generally subjected to virulent criticism as relicts of the feudal order and colonial collaborators who simply had to be discarded in the new independent African republican governments. They were seen as impediments to modernisation and nation-building and accused of operating on principles that were antithetical to democratic ideas and values. For example, a chief was not elected into office by popular vote, but through lineage, and is thus in office for life. This system was patriarchal and largely excluded women from the office based on repugnant customary laws that were oppressive to women (Logan 2009; Beall & Hassim 2005).  Some countries, such as Guinea Conakry, Uganda and Tanzania ventured to formally abolish traditional leadership as competitors to the modern state (Suret-Canale 1966; Oloka‐Onyango 1997; Crutcher 1969). Other countries entered a path to curtail chiefs’ powers. For instance, the first independent government of Ghana, headed by President Kwame Nkrumah, abolished the formal judicial function of the chiefs, and tried to break their economic power base by depriving them of any role in land management and eventually of ownership and their claims to have the right to collect land ‘rents’ (Rathbone 2000). The Botswana government in the first years after independence transferred the responsibility for local health, education and public works, the levy of local taxes, and the impounding of stray stock from the chief and his tribal administration to the newly created District Councils, and the right to allocate tribal land to executive tribunals, known as Land Boards (Denbow et al 2006). Julius Nyerere’s Tanzania abolished the chieftainship institutions and replaced them with a modern administrative system. In Mozambique, the socialist Frelimo government upon gaining its independence in 1975 banned chiefs and set up new governance structures to undermine them.  In some other African countries, the state administration ignored chiefs and left them to their own devices and expected them to either thrive in the locality or to slowly wither away. This did not happen because during the first decades of independence, Chieftaincy institutions did not disintegrate. They continued to be relevant to their constituencies because of the important roles they played in their communities.  Phase II: The Third Democratic Wave, the introduction of Multipartyism and the Collapse of Apartheid and the fate of Traditional Monarchies  The “third wave" of democratisation” that “swept through the African continent since the 1990s (Huntington 1993) unleashed in its wake some sort of epidemic of constitution-making” (Fombad 2007: 1). New or substantially revised constitutions were introduced in most African countries that “contained provisions that “purported to recognise and protect most of the fundamental human rights that are associated with constitutionalism and Western liberal democracy, with one of the most significant developments being the recognition of political pluralism and the legalisation of previously banned political parties” (Fombad 2007: 1) It was in this context of competitive political pluralism that traditional rulers resurfaced and reasserted themselves as forces to reckon with (Tom Goodfellow and Stefan Lindemann 2013; Englebert 2002; Foucher & Smith 2011; Ubink 2008; Chimhowu 2019).Many African countries reviewed their republican constitutions and integrated African monarchies.  The Ghana Constitution of 1992 guaranteed the institution of chieftaincy and restricted the state from appointing or refusing to recognise chiefs (article 270) (Alden Willy and Hammond 2001; Ubink 2008). In Uganda the powerful kingdom of Buganda, abolished by Uganda’s 1967 Constitution after the Buganda king had been exiled in 1966 was largely restored in 1993 by President Museveni. Despite the negative role of traditional authorities during the Apartheid period, South Africa worked towards collaboration with traditional rulers and entrenched their positions in the post-apartheid constitutions. The South African Parliament passed two pieces of legislation in 2003 that clarified the position of traditional authorities in South Africa’s democracy (Claassens 2006; Ntsebeza 2003; 2005; Ntshona and Lahiff 2003; Oomen 2002). Many African countries have established House of Chiefs in recognition of the importance of traditional authorities (Ubink 2008). The trajectory of African traditional rulers in post-independence Africa is emblematic of dynamism as captured in Professor Nyamnjoh’s incisive article on Chieftaincy and democracy in contemporary Cameroon and Botswana (Nyamnjoh, 2014). This general trajectory in Africa deserves scholarly investigation.  We invite paper abstracts of 600-1000 words that will analyse these issues within individual countries, comparatively, and/ or through the lenses of different case studies. The abstracts should focus on, but not limited to, the following themes:  From exclusion to inclusion of Traditional Rulers in post-independence African Politics  The trajectory of Traditional Authorities through the politico-constitutional mould  A Comparative Study of the constitutionalisation of Traditional Authorities in Africa  A critical analysis of the constitutional basis of the enthronement and destitution of  Traditional Rulers in specific African counties since independence  Extra-Constitutional Formation and Evolution of the League of Traditional Rulers (i.e. the North-West and South West Chiefs Conferences) in Cameroon in the era of political liberalisation.  The Zulu nation in South Africa and the Making and Evolution of the 1994 South African post-apartheid Constitution.  The Birth, Evolution and Achievements of the South African Provincial Houses of Traditional Leaders  The inclusion and exclusion of the modern state in political transition in African kingdoms after the demise of a King/Queen Mother since independence.  Critical Perspectives of Challenges of Reconciling Traditional Rulers and African Democratic Governments based on Western European Models.  Post-independence political positioning of Traditional Rulers in modern politics  A Comparative Study of Queen Mother Institutions in Africa since independence  A History of African Female Chiefs in the House of Chiefs  Conference Coordination: University of the Free State Call for Paper Deadline: 30 November 2022  Please send 600-1000 words abstract of your paper and a 150-word bio in an MS Word document. Abstracts will be accepted in English or French. The abstract should clearly reflect the (i) aims, (ii) research questions, (iii) methodology, (iv) innovative potential/originality and (v) relevance of the paper.  Notification of accepted proposals will occur by 20 December 2022. Final manuscripts should be due on 20 January 2023.  Expected outcome of conference: Selected papers would be published in a book  If you have any questions, please feel free to email the convenors. Please send your submissions to: Email address: africacostit399@gmail.comEmail address: constitutionindepe@gmail.com Tentative Conference Dates: 2-4 February 2023 Read more
    By: Raquel Acosta
    post image

  • Call for Papers: The 7th Annual Lagos Studies Association Conference
    Decolonization discourses have taken new turns since the second decade of the 21st century. Unfortunately, instead of accounting for decades of activism and scholarship on the decolonization of African knowledge systems, ideologies, and practices since the 1950s, the new decolonization agitation largely disregards previous incarnations. Decolonization has become a catch-all word for every legacy of colonialism that must be dismantled as new ones emerge. As it is, what needs to be decolonized has increased as new bodies of knowledge and the real consequences of imperial domination in the everyday life of Africans emerge and are transformed from their familiar state.   Moving beyond the simplistic definitions of decolonization, we ask for critical reflections on the historicity of actions, politics, and practices that have shaped how scholars, artists, and public commentators have been reflecting on the legacies of colonial domination. We ask for continuity and change in the history of decolonization. We seek contributions that engage with decolonization paradigms beyond the dichotomy of contemporary or postcolonial Africa and the colonial past to interrogate the new challenges of decolonization emanating from the struggle to decolonize within African institutions of power, including but not limited to universities. Should the decolonizer be decolonized? How is coloniality emerging within decolonization movements? What are the limits of decolonization, and who should set these parameters? How are movements and ideologies of decolonization introducing new paradigms that need to be decolonized?   This short conceptual note does not claim to fully espouse the contradictions in decolonization discourses and praxis of the 21st century. Nevertheless, we anticipate unpretentious and bold contributions that engage with decolonization both as a living reality of the past and the present and as a way of knowing. We ask for empirically grounded contributions that take conceptual and theoretical issues seriously. We anticipate contributions that are not afraid to problematize decolonization in any framework. We seek new ways of thinking about the decolonization of knowledges, ideologies, and practices in 21st-century Africa. Submission Rules Individual Submission: Individual proposals should include a 250-word abstract, a short bio, and the email and phone contacts of presenters. Please do not submit more than one abstract. Abstracts cannot have more than two presenters. You cannot present more than one paper, either solo or joint. Submit your abstract here: https://forms.gle/qziEGvJMV3eybGRCA   Group Submission: Panel, roundtable, and workshop proposals should comprise a 250-word summary, and the email and phone contacts of all panelists. Please email panel proposals to LSA at lagosstudiesassociation@gmail.com Submission Deadline: December 1, 2022. Notification of acceptance of abstracts by January 15, 2023. Registration fees covers nine full meals (breakfast, lunch, and dinner) throughout the conference. Everyone listed on abstracts must pre-register by paying the registration fee after acceptance of abstract. For full information on fees please visit Lagosstudies.org.   If you have any questions about the conference, contact LSA at:   Email Address: lagosstudiesassociation@gmail.com    Website: Lagosstudies.org Facebook: https://www.facebook.com/groups/205111409881162/ Twitter: https://twitter.com/LagosStudies
    By: Raquel Acosta

  • Call for Papers: The 7th Annual Lagos Studies Association Conference
    Decolonization discourses have taken new turns since the second decade of the 21st century. Unfortunately, instead of accounting for decades of activism and scholarship on the decolonization of African knowledge systems, ideologies, and practices since the 1950s, the new decolonization agitation largely disregards previous incarnations. Decolonization has become a catch-all word for every legacy of colonialism that must be dismantled as new ones emerge. As it is, what needs to be decolonized has increased as new bodies of knowledge and the real consequences of imperial domination in the everyday life of Africans emerge and are transformed from their familiar state.   Moving beyond the simplistic definitions of decolonization, we ask for critical reflections on the historicity of actions, politics, and practices that have shaped how scholars, artists, and public commentators have been reflecting on the legacies of colonial domination. We ask for continuity and change in the history of decolonization. We seek contributions that engage with decolonization paradigms beyond the dichotomy of contemporary or postcolonial Africa and the colonial past to interrogate the new challenges of decolonization emanating from the struggle to decolonize within African institutions of power, including but not limited to universities. Should the decolonizer be decolonized? How is coloniality emerging within decolonization movements? What are the limits of decolonization, and who should set these parameters? How are movements and ideologies of decolonization introducing new paradigms that need to be decolonized?   This short conceptual note does not claim to fully espouse the contradictions in decolonization discourses and praxis of the 21st century. Nevertheless, we anticipate unpretentious and bold contributions that engage with decolonization both as a living reality of the past and the present and as a way of knowing. We ask for empirically grounded contributions that take conceptual and theoretical issues seriously. We anticipate contributions that are not afraid to problematize decolonization in any framework. We seek new ways of thinking about the decolonization of knowledges, ideologies, and practices in 21st-century Africa. Submission Rules Individual Submission: Individual proposals should include a 250-word abstract, a short bio, and the email and phone contacts of presenters. Please do not submit more than one abstract. Abstracts cannot have more than two presenters. You cannot present more than one paper, either solo or joint. Submit your abstract here: https://forms.gle/qziEGvJMV3eybGRCA   Group Submission: Panel, roundtable, and workshop proposals should comprise a 250-word summary, and the email and phone contacts of all panelists. Please email panel proposals to LSA at lagosstudiesassociation@gmail.com Submission Deadline: December 1, 2022. Notification of acceptance of abstracts by January 15, 2023. Registration fees covers nine full meals (breakfast, lunch, and dinner) throughout the conference. Everyone listed on abstracts must pre-register by paying the registration fee after acceptance of abstract. For full information on fees please visit Lagosstudies.org.   If you have any questions about the conference, contact LSA at:   Email Address: lagosstudiesassociation@gmail.com    Website: Lagosstudies.org Facebook: https://www.facebook.com/groups/205111409881162/ Twitter: https://twitter.com/LagosStudies Read more
    By: Raquel Acosta
  • +2
    Call for Papers: Land and Sustainable Food Transformations
    GUEST EDITORSAdam Calo, Assistant Professor of Environmental Governance and Politics, Radboud UniversityColine Perrin, Senior Researcher in Geography, INRAEKirsteen Shields, Senior Lecturer in International Law and Food Systems, University of EdinburghSylvia Kay, Researcher, The Transnational InstituteSarah Ruth Sippel, Professor of Economic Geography and Globalization Studies, University of Münster This Elementa special feature invites articles exploring the role of land in sustainable food transformations. The forthcoming collection provides new understandings on how governance of land (property relations, land access, land tenure, landscape policy) mediates the potential for food system transformations. The special issue goes beyond understanding dynamics of the land food nexus to ask how land relations can be reformed to create favorable conditions for more just and sustainable food systems to emerge. A complete call for proposals can be found here.   Land relations—property, access, tenure, landscape—are a central underlying driver of the material form of food systems, from farm to distribution. Despite their fluidity and historical and geographical diversity, land relations have a tendency to become “normalized” through law, custom, and practice. In particular, the exclusionary private ownership model of property has come to be deeply entrenched in legal systems worldwide, particularly in the Global North. The power of this normalization is evidenced, for example, in how research and practice aimed at reshaping food systems from grassroots movement, policy-level, or biophysical perspectives often omit the role of land relations in bringing about agricultural sustainability and agrarian change. Understanding land relations as “static” thus  potentially constrains or directs the kinds of sustainable agriculture and food transformations that can take place. We thus invite contributions on characterizing the role of land relations in sustainable food production, critiques of existing sustainability interventions in the food system from a perspective of land relations, and socio-legal analysis of pathways to reforming or reimagining synergized land and food system transformations. We aim to highlight the role of land relations and property regimes in a ‘Global North Context’. We call for insights on the power relations embedded in land in both the dominant land regimes that underly the industrial food system but also in the alternative counter movements bubbling up to contest the status quo of the land food nexus. Articles in this special symposium might examine the following topics or other related issues: The role of power relations in assembling land for food production of differing forms; Discourses that shape the legitimacy of strong property regimes and the resulting material influence in institutions, actors, social movements, resources, and technologies; Cross disciplinary learning from other domains such as housing justice, intellectual property debates, and antitrust applied to understand food system transformations; Global South—North food system co-learning on alternative land governance for food systems change; Empirical evidence of the relationship between alternative property regimes and  alternative food system practices such as agroecology, diversified or organic farming, local food processing, and/or food sovereignty; Dominant food system technocratic “solutions” or interventions (such as vertical farming, regenerative agriculture, agricultural easements, payments for ecosystem services, crop biotechnology, alt-proteins and sustainable intensification) and the way they either entrench, challenge, rely upon, or overlook the role of property regimes; Dominant food system social “solutions” or interventions (such as farmer training programs, capacity building, empowerment campaigns, dietary nudging, microfinance) and the way they either entrench, challenge, rely upon, or overlook the role of property regimes; Politics of land reform in (seemingly) stable statutory institutions (such as liberal sovereign states in industrialized economies);  Creative imagined or practiced legal or social pathways to reform the norms of property on farmland or other nodes of the food system; Advancements on access theory with regards to food system transformations; The above themes relate to questions of how land politics influence food system transformation pathways. If you wish to submit a paper to the special issue, please submit a 500-word abstract detailing your article’s title, type, purpose, methodology, key findings, and significance to the guest editors at adam.calo@ru.nl by 14th January. Elementa accepts original research articles, reviews, policy bridges, commentary, and other creative multi-media formats such as interviews and podcasts. and discussion papers. All paper formats will be considered although original research articles are preferred. More information about submission criteria can be found here: https://online.ucpress.edu/elementa/pages/submissionguidelines   Deadlines: Abstracts: 14th January 2023 Authors notified of invitation to submit a paper:  1st February 2023Complete first drafts due to editors: April 28th 2023 (Spring 2023)Reviews sent to authors: Summer 2023
    By: Raquel Acosta
    poster image
  • +2
    Call for Papers: Land and Sustainable Food Transformations
    GUEST EDITORSAdam Calo, Assistant Professor of Environmental Governance and Politics, Radboud UniversityColine Perrin, Senior Researcher in Geography, INRAEKirsteen Shields, Senior Lecturer in International Law and Food Systems, University of EdinburghSylvia Kay, Researcher, The Transnational InstituteSarah Ruth Sippel, Professor of Economic Geography and Globalization Studies, University of Münster This Elementa special feature invites articles exploring the role of land in sustainable food transformations. The forthcoming collection provides new understandings on how governance of land (property relations, land access, land tenure, landscape policy) mediates the potential for food system transformations. The special issue goes beyond understanding dynamics of the land food nexus to ask how land relations can be reformed to create favorable conditions for more just and sustainable food systems to emerge. A complete call for proposals can be found here.   Land relations—property, access, tenure, landscape—are a central underlying driver of the material form of food systems, from farm to distribution. Despite their fluidity and historical and geographical diversity, land relations have a tendency to become “normalized” through law, custom, and practice. In particular, the exclusionary private ownership model of property has come to be deeply entrenched in legal systems worldwide, particularly in the Global North. The power of this normalization is evidenced, for example, in how research and practice aimed at reshaping food systems from grassroots movement, policy-level, or biophysical perspectives often omit the role of land relations in bringing about agricultural sustainability and agrarian change. Understanding land relations as “static” thus  potentially constrains or directs the kinds of sustainable agriculture and food transformations that can take place. We thus invite contributions on characterizing the role of land relations in sustainable food production, critiques of existing sustainability interventions in the food system from a perspective of land relations, and socio-legal analysis of pathways to reforming or reimagining synergized land and food system transformations. We aim to highlight the role of land relations and property regimes in a ‘Global North Context’. We call for insights on the power relations embedded in land in both the dominant land regimes that underly the industrial food system but also in the alternative counter movements bubbling up to contest the status quo of the land food nexus. Articles in this special symposium might examine the following topics or other related issues: The role of power relations in assembling land for food production of differing forms; Discourses that shape the legitimacy of strong property regimes and the resulting material influence in institutions, actors, social movements, resources, and technologies; Cross disciplinary learning from other domains such as housing justice, intellectual property debates, and antitrust applied to understand food system transformations; Global South—North food system co-learning on alternative land governance for food systems change; Empirical evidence of the relationship between alternative property regimes and  alternative food system practices such as agroecology, diversified or organic farming, local food processing, and/or food sovereignty; Dominant food system technocratic “solutions” or interventions (such as vertical farming, regenerative agriculture, agricultural easements, payments for ecosystem services, crop biotechnology, alt-proteins and sustainable intensification) and the way they either entrench, challenge, rely upon, or overlook the role of property regimes; Dominant food system social “solutions” or interventions (such as farmer training programs, capacity building, empowerment campaigns, dietary nudging, microfinance) and the way they either entrench, challenge, rely upon, or overlook the role of property regimes; Politics of land reform in (seemingly) stable statutory institutions (such as liberal sovereign states in industrialized economies);  Creative imagined or practiced legal or social pathways to reform the norms of property on farmland or other nodes of the food system; Advancements on access theory with regards to food system transformations; The above themes relate to questions of how land politics influence food system transformation pathways. If you wish to submit a paper to the special issue, please submit a 500-word abstract detailing your article’s title, type, purpose, methodology, key findings, and significance to the guest editors at adam.calo@ru.nl by 14th January. Elementa accepts original research articles, reviews, policy bridges, commentary, and other creative multi-media formats such as interviews and podcasts. and discussion papers. All paper formats will be considered although original research articles are preferred. More information about submission criteria can be found here: https://online.ucpress.edu/elementa/pages/submissionguidelines   Deadlines: Abstracts: 14th January 2023 Authors notified of invitation to submit a paper:  1st February 2023Complete first drafts due to editors: April 28th 2023 (Spring 2023)Reviews sent to authors: Summer 2023 Read more
    By: Raquel Acosta
    poster image
  • +1
    CFP: The 22nd Annual Africa Conference– The University of Texas at Austin
    Theme: Technology, Culture, and African Societies Date: March 31- April 2, 2023 Email: austinafricaconference2023@gmail.com   The 22nd Annual Africa Conference at the University of Texas at Austin calls for submissions of papers in the humanities, social sciences, sciences, and other disciplines on the kaleidoscopic presence of technology and culture in African societies. The objective of this conference is to encourage conversations rooted in the histories of the African people, with the connection of science and technology to imagine alternate realities and a liberated African future. Culture is dynamic, and globalization has become an epoch for the constant reinvention of culture that transcends time and space. As globalization continues to spread, more people find themselves across spaces and borders, with their lives structured and oriented by connections to one or several other places. Africa’s rich history is multifaceted and complex, with multiple heritage that cut across centuries and regions. The distinctiveness of each culture is peculiar to their authentic traditional practices and identities, ranging from language to literature, music, visual art, and fashion. In present-day Africa, globalization paves the way for technology, which has aided the growth, adaptation, and transfer of African cultures worldwide. Artificial intelligence and the web are perhaps the most increasingly emerging technologies that are radically shifting normative paradigms in Africa today. The African continent requires new approaches that respond to the sociopolitical and economic needs of African societies. These approaches will define the future for the cultural, political, economic, and social spheres and on the national, regional, and international levels as they re-imagine a new future for Africa where humanity and technology meet. Accordingly, we invite proposals for papers, panel presentations, roundtables, and artistic works/performances that critically examine these and other related issues on African history, culture, and its intersection with technology. The conference will allow scholars from various disciplines and geographical locations to interact, exchange ideas, and receive feedback. As in previous years, participants will be drawn from around the world. Graduate students are encouraged to attend and present papers. Submitted papers will be assigned to panels based on similarities in theme, topic, discipline, or geographical focus, and selected papers will be published in a series of book volumes. We welcome submissions that include but are not limited to the following sub-themes and topics: Technology and African Historical Discourses Technology and African Literature Technology and the African Diaspora Cultural Dimensions in Africa and Technology Technology and Popular Culture Technology and Gender Constructions Technology and Environmental Security Culture, Urbanization, and Digital Urbanism Globalization, Technology, and Identity Formation Technology and Education Technology, Religions and Ritual Performance Technology and Performative Arts Visual Arts and Digital Culture Technology and Cinema Technology and African Fashion Technology and Health Sciences Cultural Practices, Indigenous Medicine, and Technology Technology and Linguistics Culture, Technology and New Media Technology and Postcolonial/ Postmodern Conditions Technology and Decoloniality Technology, Politics and Cultural Paradigms Festivals, Ceremonies and Technology Funeral Technology–Old and New Digital Economy for Africa’s Initiative Technology, Language, and Rhetoric Technology and Archival Studies Africa Trade and Technology Technology, Geography, and Natural resources Technology and Archaeology Anthropology and Africa’s Digital Revolution Social Mobility in the Digital Age Security Technology in Africa Technology and Peace and Conflict Resolution   Each proposal must include: Title of the work and an abstract of 200 words Name of the presenter (with the surname underlined) Mailing address Phone number Email Institutional affiliation Three to five keywords best characterize the themes and topics relevant to your submission.   Participants are expected to follow these guidelines.  ​Proposals for panels (3-5 presenters) must include: (1) the title of the panel and a collective summary of 250 words on the panel’s theme, including the title of each individual’s work (2) a 200-word abstract for each speaker’s presentation (3) mailing addresses (4) phone numbers  (5) email addresses (6) institutional affiliation of each presenter. ​ Proposals will be accepted on the official conference website (www.utafricaconference.com) and by email: toyinfalola@austin.utexas.edu  (cc: austinafricaconference2023@gmail.com) from mid-August to mid-December 2022. Participants who require a visa to enter the United States must submit abstracts and register early, as it may take six months to book visa appointments. A mandatory non-refundable registration fee of $150 for scholars and $100 for graduate students must be paid immediately upon the acceptance of the abstract. This in-person conference fee includes a conference t-shirt and bag, admission to the panels, workshops, special events, and transportation to and from the hotel and conference events. Registration also includes breakfast for all three days, dinner on Friday night, lunch on Saturday, a banquet with DJ and an open bar on Saturday evening, and a closing celebration on Sunday.   All participants must have funds to attend the conference, including the registration fee, transportation, and accommodation. The conference and the University of Texas at Austin do not provide any form of sponsorship or financial support. However, the Holiday Inn Austin-Town Lake will have a special rate for conference participants, and transportation between the hotel and the university is included.   ​ *Events are subject to change in accordance with CDC guidelines and global health and safety concerns. We are currently exploring a possible hybrid model for attendees who may not be able to attend physically due to US travel restrictions. All official updates will be posted on the conference website as soon as they are available.  ​ If you have questions, please contact the conference coordinators via the official email. All correspondence, including submission of abstracts, panel proposals, completed papers, and all kinds of inquiries, must go through the official conference email: austinafricaconference2023@gmail.com     CONFERENCE TEAM   Organizers: Olayombo Raji-Oyelade, olayombo.raji@utexas.edu Victor Angbah, vangbah@utexas.edu Convener: Toyin Falola, toyinfalola@austin.utexas.edu
    By: Raquel Acosta
    poster image
  • +1
    CFP: The 22nd Annual Africa Conference– The University of Texas at Austin
    Theme: Technology, Culture, and African Societies Date: March 31- April 2, 2023 Email: austinafricaconference2023@gmail.com   The 22nd Annual Africa Conference at the University of Texas at Austin calls for submissions of papers in the humanities, social sciences, sciences, and other disciplines on the kaleidoscopic presence of technology and culture in African societies. The objective of this conference is to encourage conversations rooted in the histories of the African people, with the connection of science and technology to imagine alternate realities and a liberated African future. Culture is dynamic, and globalization has become an epoch for the constant reinvention of culture that transcends time and space. As globalization continues to spread, more people find themselves across spaces and borders, with their lives structured and oriented by connections to one or several other places. Africa’s rich history is multifaceted and complex, with multiple heritage that cut across centuries and regions. The distinctiveness of each culture is peculiar to their authentic traditional practices and identities, ranging from language to literature, music, visual art, and fashion. In present-day Africa, globalization paves the way for technology, which has aided the growth, adaptation, and transfer of African cultures worldwide. Artificial intelligence and the web are perhaps the most increasingly emerging technologies that are radically shifting normative paradigms in Africa today. The African continent requires new approaches that respond to the sociopolitical and economic needs of African societies. These approaches will define the future for the cultural, political, economic, and social spheres and on the national, regional, and international levels as they re-imagine a new future for Africa where humanity and technology meet. Accordingly, we invite proposals for papers, panel presentations, roundtables, and artistic works/performances that critically examine these and other related issues on African history, culture, and its intersection with technology. The conference will allow scholars from various disciplines and geographical locations to interact, exchange ideas, and receive feedback. As in previous years, participants will be drawn from around the world. Graduate students are encouraged to attend and present papers. Submitted papers will be assigned to panels based on similarities in theme, topic, discipline, or geographical focus, and selected papers will be published in a series of book volumes. We welcome submissions that include but are not limited to the following sub-themes and topics: Technology and African Historical Discourses Technology and African Literature Technology and the African Diaspora Cultural Dimensions in Africa and Technology Technology and Popular Culture Technology and Gender Constructions Technology and Environmental Security Culture, Urbanization, and Digital Urbanism Globalization, Technology, and Identity Formation Technology and Education Technology, Religions and Ritual Performance Technology and Performative Arts Visual Arts and Digital Culture Technology and Cinema Technology and African Fashion Technology and Health Sciences Cultural Practices, Indigenous Medicine, and Technology Technology and Linguistics Culture, Technology and New Media Technology and Postcolonial/ Postmodern Conditions Technology and Decoloniality Technology, Politics and Cultural Paradigms Festivals, Ceremonies and Technology Funeral Technology–Old and New Digital Economy for Africa’s Initiative Technology, Language, and Rhetoric Technology and Archival Studies Africa Trade and Technology Technology, Geography, and Natural resources Technology and Archaeology Anthropology and Africa’s Digital Revolution Social Mobility in the Digital Age Security Technology in Africa Technology and Peace and Conflict Resolution   Each proposal must include: Title of the work and an abstract of 200 words Name of the presenter (with the surname underlined) Mailing address Phone number Email Institutional affiliation Three to five keywords best characterize the themes and topics relevant to your submission.   Participants are expected to follow these guidelines.  ​Proposals for panels (3-5 presenters) must include: (1) the title of the panel and a collective summary of 250 words on the panel’s theme, including the title of each individual’s work (2) a 200-word abstract for each speaker’s presentation (3) mailing addresses (4) phone numbers  (5) email addresses (6) institutional affiliation of each presenter. ​ Proposals will be accepted on the official conference website (www.utafricaconference.com) and by email: toyinfalola@austin.utexas.edu  (cc: austinafricaconference2023@gmail.com) from mid-August to mid-December 2022. Participants who require a visa to enter the United States must submit abstracts and register early, as it may take six months to book visa appointments. A mandatory non-refundable registration fee of $150 for scholars and $100 for graduate students must be paid immediately upon the acceptance of the abstract. This in-person conference fee includes a conference t-shirt and bag, admission to the panels, workshops, special events, and transportation to and from the hotel and conference events. Registration also includes breakfast for all three days, dinner on Friday night, lunch on Saturday, a banquet with DJ and an open bar on Saturday evening, and a closing celebration on Sunday.   All participants must have funds to attend the conference, including the registration fee, transportation, and accommodation. The conference and the University of Texas at Austin do not provide any form of sponsorship or financial support. However, the Holiday Inn Austin-Town Lake will have a special rate for conference participants, and transportation between the hotel and the university is included.   ​ *Events are subject to change in accordance with CDC guidelines and global health and safety concerns. We are currently exploring a possible hybrid model for attendees who may not be able to attend physically due to US travel restrictions. All official updates will be posted on the conference website as soon as they are available.  ​ If you have questions, please contact the conference coordinators via the official email. All correspondence, including submission of abstracts, panel proposals, completed papers, and all kinds of inquiries, must go through the official conference email: austinafricaconference2023@gmail.com     CONFERENCE TEAM   Organizers: Olayombo Raji-Oyelade, olayombo.raji@utexas.edu Victor Angbah, vangbah@utexas.edu Convener: Toyin Falola, toyinfalola@austin.utexas.edu Read more
    By: Raquel Acosta
    poster image

  • Call for abstracts in the middle of summer for a special issue of the journal Sources
    Dear all,    A call for abstracts in the middle of summer for a special issue of the journal Sources. Matériaux & Terrains en études africaines around the "sources of madness" coordinated by the team of the ERC project MaDAf ("Governing Madness in West Africa »): https://madaf.hypotheses.org/    The deadline for submission of abstracts is 30 September 2022   Here is the call in French: https://www.sources-journal.org/881  And in English: https://www.sources-journal.org/887    This proposal for a special dossier on the sources of madness in Africa (continent and diasporas) is part of the recent epistemological renewal of studies on mental disorder on the continent. It is based on the observation that reflections on the nature and diversity of sources mobilised in this field by researchers remain sparse and fragmentary. Anchored in an interdisciplinary and long-term perspective, this dossier aims to show the richness of the materials exploited, as much as to promote a reflection on sources often situated at the intersection of different mediations (medical, administrative, (post)colonial, etc.).   Here is the provisional timetable:    30 September 2022: submission of article proposals, consisting of a summary of about twenty lines with a provisional title, name(s), contact details and affiliations of the authors. An email address must be included. The abstract must present the nature of the materials treated, briefly describe them, and give some contextualisation in relation to the discipline and the research question. Indicate the possibilities of online dissemination of the sources - in whole or in part.   1 November 2022: reply to the authors (acceptance or refusal) 1 March 2023: article sent 15 July 2023: send an evaluation report to the authors 1 October 2023: submission of final versions of the article Spring 2024: release of the issue     Gina Aïtmehdi, Camille Evrard, Raphaël Gallien, Paul Marquis and Romain Tiquet
    By: Raquel Acosta

  • Call for abstracts in the middle of summer for a special issue of the journal Sources
    Dear all,    A call for abstracts in the middle of summer for a special issue of the journal Sources. Matériaux & Terrains en études africaines around the "sources of madness" coordinated by the team of the ERC project MaDAf ("Governing Madness in West Africa »): https://madaf.hypotheses.org/    The deadline for submission of abstracts is 30 September 2022   Here is the call in French: https://www.sources-journal.org/881  And in English: https://www.sources-journal.org/887    This proposal for a special dossier on the sources of madness in Africa (continent and diasporas) is part of the recent epistemological renewal of studies on mental disorder on the continent. It is based on the observation that reflections on the nature and diversity of sources mobilised in this field by researchers remain sparse and fragmentary. Anchored in an interdisciplinary and long-term perspective, this dossier aims to show the richness of the materials exploited, as much as to promote a reflection on sources often situated at the intersection of different mediations (medical, administrative, (post)colonial, etc.).   Here is the provisional timetable:    30 September 2022: submission of article proposals, consisting of a summary of about twenty lines with a provisional title, name(s), contact details and affiliations of the authors. An email address must be included. The abstract must present the nature of the materials treated, briefly describe them, and give some contextualisation in relation to the discipline and the research question. Indicate the possibilities of online dissemination of the sources - in whole or in part.   1 November 2022: reply to the authors (acceptance or refusal) 1 March 2023: article sent 15 July 2023: send an evaluation report to the authors 1 October 2023: submission of final versions of the article Spring 2024: release of the issue     Gina Aïtmehdi, Camille Evrard, Raphaël Gallien, Paul Marquis and Romain Tiquet Read more
    By: Raquel Acosta
  • +1
    Call for Proposals: The Collections of Ousmane Sembène & Paulin S. Vieyra Workshop
    Workshop presentation We would like to invite academics (Graduate students, junior researchers, independent scholars, and university professors) to visit Indiana University’s collections on African cinemas (mainly Ousmane Sembène’s archives, held at the Lilly Library, and the Paulin S. Vieyra archives, held at the Black Film Center & Archive (BFCA), during a fixed period of approximately 10 days, in August 2024. Each attendee will use the workshop to conduct archival research for a chapter on these pioneers of African cinemas, to be finalized and submitted for December 2024. During this collective research stay, we will organize discussion tables, paper presentations, and film screenings to stress new perspectives on African Film studies and to share novel discoveries from the archives with specialists and the general public.   If Ousmane Sembène is to this day recognized as the “father” of African cinema, Paulin S. Vieyra, as his friend, mentor, and producer, was a key eyewitness and contributor to early sub-Saharan African cinema. Starting in 1954, Vieyra was a filmmaker, the first director of the Senegalese newsreel service, and a film critic and historian. During this period, Vieyra also directed a series of short films that documented the Independence of Senegal: Une nation est née (A Nation is Born, 1961) is a historical portrait depicting pre-colonial traditions and then European domination, before celebrating the wealth and collective strengths of the young Republic of Senegal; Lamb (1963) shows the social ramifications of traditional wrestling performances. Later in his career, he directed his only feature film, En résidence surveillée (Under House Arrest, 1981), which justifies the political choices of President Senghor and his administration. In his role as an administrator within the nascent African film industry, Vieyra helped young French-speaking African filmmakers to produce their first movies, advocating for them at film festivals in Russia, France, Burkina Faso, and Tunisia. Additionally, he wrote articles to promote African cinema and was a leader in organizing the Fédération panafricaine des cinéastes (FEPACI), using his political connections to procure funding for film production and distribution. Near the end of his life in the 1980s, Vieyra earned a Ph.D. (under the supervision of Jean Rouch) and became Professor of Film Studies at Cheikh Anta Diop University in Dakar (UCAD).   Writer and filmmaker Ousmane Sembène (1923-2007) drew on his experiences as the son of a Lébou fisherman in Casamance, in the French colonial army and as a docker in Marseille in order to stage colonial injustices. A well-known novelist, he sought in the early 1960s to reach an audience beyond the Westernized elites. Understanding film to be a privileged medium for this access, he trained in Moscow (Berty 2019). In 1962, Sembène directed his first short film Borom Sarret. Then he adapted one of his short stories, La Noire de... (1966), the story of a young Senegalese woman who takes her own life while working in France, a film awarded the Jean Vigo Prize. The recurring themes of Sembène's films are the history of colonialism, the critique of the new African bourgeoisie, and the affirming of the strength of African women. His films have been regularly presented at the Moscow International Film Festival, the Berlin International Film Festival and FESPACO, which in 2001 paid tribute to his extraordinary career. Sembène’s last film, Moolaadé (2004), explored the issue of female genital mutilation and received an enthusiastic reception at both FESPACO and the Cannes Film Festival.    Both Vieyra and Sembène were key innovators of a postcolonial film aesthetic and in the development of audio-visual means of production, both in Senegal and throughout French-speaking West Africa. As intellectuals and artists, but also as political activists, they made movies that were close to the African public. And, importantly for today’s researchers, they kept all of the papers and materials related to their storied careers. Now that their archives have been acquired by the Lilly Library and the BFCA, we have the opportunity to explore Sembène’s and Vieyra’s work and legacies and have a better understanding of the origins of sub-Saharan African cinema.   Workshop goals The primary goal of this workshop is to begin to fulfill Indiana University’s commitment to make available and to promote Sembène’s archives (Lilly Library) and Vieyra’s archives (BFCA).   The second goal is to facilitate the journey to and stay in Bloomington, IN of specialists in early African cinema and to involve junior scholars in this fascinating research field. We are planning to gather about ten to fifteen researchers for approximately ten days.   The third goal of this workshop is to produce a collection of essays linked to the archives, published by a major university press. Thus, each of the archival workshop participants will be selected according to the pertinence of their proposed chapter in this collective work. The final text will be expected before the end of 2024, after having participated in the archival workshop at Indiana University.   Call for chapter proposals   The co-editors will be Vincent Bouchard (Indiana University), Rachel Gabara (University of Georgia), and Amadou Ouédraogo (University of Louisiana at Lafayette).    We welcome proposals that focus on (but are not limited to) the following themes, with a particular interest in submissions that treat the links between these two key figures:  -Sembène’s and/or Vieyra’s intellectual legacies in their writings.  - The new aesthetic to which they contributed through their own audio-visual production, collaborations, and film criticism, in the early stages of sub-Saharan African cinema (1955-1980).  - Sembène’s and/or Vieyra’s contributions in the organization and administration of cinematographic institutions in West Africa.  - Sembène’s and/or Vieyra’s support, as producer or mentor, of other African filmmakers.   - Sembène’s and/or Vieyra’s contributions to the promotion of African cinema more broadly.     By October 30th, 2022, proposals (500 words, a short bibliography, and a brief professional biography) in English should be sent to the following email: clafouch@iu.edu.   Should you have any questions, please contact one of the co-editors: vbouchar@iu.edu, rgabara@uga.edu, amadou@louisiana.edu.   ---------------------   Information forwarded by the UCLA African Studies Center www.international.ucla.edu/africa  
    By: Raquel Acosta
  • +1
    Call for Proposals: The Collections of Ousmane Sembène & Paulin S. Vieyra Workshop
    Workshop presentation We would like to invite academics (Graduate students, junior researchers, independent scholars, and university professors) to visit Indiana University’s collections on African cinemas (mainly Ousmane Sembène’s archives, held at the Lilly Library, and the Paulin S. Vieyra archives, held at the Black Film Center & Archive (BFCA), during a fixed period of approximately 10 days, in August 2024. Each attendee will use the workshop to conduct archival research for a chapter on these pioneers of African cinemas, to be finalized and submitted for December 2024. During this collective research stay, we will organize discussion tables, paper presentations, and film screenings to stress new perspectives on African Film studies and to share novel discoveries from the archives with specialists and the general public.   If Ousmane Sembène is to this day recognized as the “father” of African cinema, Paulin S. Vieyra, as his friend, mentor, and producer, was a key eyewitness and contributor to early sub-Saharan African cinema. Starting in 1954, Vieyra was a filmmaker, the first director of the Senegalese newsreel service, and a film critic and historian. During this period, Vieyra also directed a series of short films that documented the Independence of Senegal: Une nation est née (A Nation is Born, 1961) is a historical portrait depicting pre-colonial traditions and then European domination, before celebrating the wealth and collective strengths of the young Republic of Senegal; Lamb (1963) shows the social ramifications of traditional wrestling performances. Later in his career, he directed his only feature film, En résidence surveillée (Under House Arrest, 1981), which justifies the political choices of President Senghor and his administration. In his role as an administrator within the nascent African film industry, Vieyra helped young French-speaking African filmmakers to produce their first movies, advocating for them at film festivals in Russia, France, Burkina Faso, and Tunisia. Additionally, he wrote articles to promote African cinema and was a leader in organizing the Fédération panafricaine des cinéastes (FEPACI), using his political connections to procure funding for film production and distribution. Near the end of his life in the 1980s, Vieyra earned a Ph.D. (under the supervision of Jean Rouch) and became Professor of Film Studies at Cheikh Anta Diop University in Dakar (UCAD).   Writer and filmmaker Ousmane Sembène (1923-2007) drew on his experiences as the son of a Lébou fisherman in Casamance, in the French colonial army and as a docker in Marseille in order to stage colonial injustices. A well-known novelist, he sought in the early 1960s to reach an audience beyond the Westernized elites. Understanding film to be a privileged medium for this access, he trained in Moscow (Berty 2019). In 1962, Sembène directed his first short film Borom Sarret. Then he adapted one of his short stories, La Noire de... (1966), the story of a young Senegalese woman who takes her own life while working in France, a film awarded the Jean Vigo Prize. The recurring themes of Sembène's films are the history of colonialism, the critique of the new African bourgeoisie, and the affirming of the strength of African women. His films have been regularly presented at the Moscow International Film Festival, the Berlin International Film Festival and FESPACO, which in 2001 paid tribute to his extraordinary career. Sembène’s last film, Moolaadé (2004), explored the issue of female genital mutilation and received an enthusiastic reception at both FESPACO and the Cannes Film Festival.    Both Vieyra and Sembène were key innovators of a postcolonial film aesthetic and in the development of audio-visual means of production, both in Senegal and throughout French-speaking West Africa. As intellectuals and artists, but also as political activists, they made movies that were close to the African public. And, importantly for today’s researchers, they kept all of the papers and materials related to their storied careers. Now that their archives have been acquired by the Lilly Library and the BFCA, we have the opportunity to explore Sembène’s and Vieyra’s work and legacies and have a better understanding of the origins of sub-Saharan African cinema.   Workshop goals The primary goal of this workshop is to begin to fulfill Indiana University’s commitment to make available and to promote Sembène’s archives (Lilly Library) and Vieyra’s archives (BFCA).   The second goal is to facilitate the journey to and stay in Bloomington, IN of specialists in early African cinema and to involve junior scholars in this fascinating research field. We are planning to gather about ten to fifteen researchers for approximately ten days.   The third goal of this workshop is to produce a collection of essays linked to the archives, published by a major university press. Thus, each of the archival workshop participants will be selected according to the pertinence of their proposed chapter in this collective work. The final text will be expected before the end of 2024, after having participated in the archival workshop at Indiana University.   Call for chapter proposals   The co-editors will be Vincent Bouchard (Indiana University), Rachel Gabara (University of Georgia), and Amadou Ouédraogo (University of Louisiana at Lafayette).    We welcome proposals that focus on (but are not limited to) the following themes, with a particular interest in submissions that treat the links between these two key figures:  -Sembène’s and/or Vieyra’s intellectual legacies in their writings.  - The new aesthetic to which they contributed through their own audio-visual production, collaborations, and film criticism, in the early stages of sub-Saharan African cinema (1955-1980).  - Sembène’s and/or Vieyra’s contributions in the organization and administration of cinematographic institutions in West Africa.  - Sembène’s and/or Vieyra’s support, as producer or mentor, of other African filmmakers.   - Sembène’s and/or Vieyra’s contributions to the promotion of African cinema more broadly.     By October 30th, 2022, proposals (500 words, a short bibliography, and a brief professional biography) in English should be sent to the following email: clafouch@iu.edu.   Should you have any questions, please contact one of the co-editors: vbouchar@iu.edu, rgabara@uga.edu, amadou@louisiana.edu.   ---------------------   Information forwarded by the UCLA African Studies Center www.international.ucla.edu/africa   Read more
    By: Raquel Acosta
  • +2
    Technology and Material Culture in African History: Challenges and Potentials for Research
    Technology and Material Culture in African History:Challenges and Potentials for Research and Teaching An international conference, Dar es Salaam, Tanzania, January 4 – 8, 2023   Call for Papers and Roundtables   The conference seeks to consolidate and foster the further development of history of technology and material culture in Africa. By gathering scholars from Tanzania and across Africa, as well as colleagues from other continents, the conference will demonstrate the discipline’s high degree of relevance—to the research and teaching of history and adjacent fields, as well as to contemporary political agendas. The organizers wish to use this event to discuss how historians of technology and material culture may contribute to the writing of a “usable past” for further generations.   The organizers invite historians, archaeologists, anthropologists, geographers, sociologists, and urban scholars to discuss the potentials of interdisciplinary and international collaboration around present intellectual, social, technological, and environmental challenges in Africa and globally. In the recent past, African countries have increased citizens’ access to up-to-date mobility and communication technologies—electric household items, mobile phones, and engine-driven vehicles. As the variety of terms indicates—daladala, matatu, tro tros, bodaboda, bajaji, and so on—artifacts are not just simply imported, but constantly modified to fit local circumstances and needs. By and large, however, a historical understanding of these processes of domestication and reinvention is still lacking. That present-day historians of technology do not limit themselves to the study of modern, Western machines and systems, but include broader aspects of (pre-colonial, colonial, and post-colonial) “material culture,” also means the discipline plays a central role both in research projects and teaching programs.   There have been growing initiatives to integrate Africa into the global history of technology and material culture, but such efforts rarely focus on issues of teaching. Considering the ongoing curricular review at African universities, it is a pressing concern to discuss the potentials of including the history of technology and material culture in Bachelor and Masters programs. The organizers are convinced that the discipline of history needs to include an African perspective and showcase Africa’s contribution to global history of technology and material culture. Therefore, the conference focuses on policies, practices, and use to rethink the historiographic role played by material artifacts and systems. We believe there is a certain urgency in researching, writing, and teaching the history of technology and material culture from a truly African perspective. The organizers hope that the workshop will provide important additions to the nationalist and materialist views which have dominated African history research, writing, and teaching since independence. By giving participants an opportunity to discuss existing research projects and teaching programs, the organizers aim at laying the foundation for an international network of historians of technology and material culture in Africa. We thus ask interested teachers and researchers from Africa and beyond to contribute with standard workshop sessions and papers, roundtable discussions, and further innovative formats. Proposals may be on any thematic area in history of technology and material culture, for example: The place of technology and material culture in the teaching of African history The political “usefulness” of technological and material history Gender and material culture in African history Craft technologies (e.g., basketry, carpentry, weaving, pottery, metal working). Farming, fishing, and hunting technologies The adoption of material objects (e.g., cars, bicycles, electronic and domestic appliances) Infrastructure histories (e.g., transportation, water, power, sanitation) Repair and maintenance cultures Archaeological evidence Please submit 300-word proposals and one-page CVs to:Emanuel L. Mchome at emanuellukio@yahoo.com orFrank Edward at f38edward@yahoo.co.uk no later than August 31, 2022.   This unique event will be organized by the History Department at University of Dar es Salaam in collaboration with the ERC-funded research project “A Global History of Technology, 1850-2000” at the Technical University of Darmstadt in Germany, the Society for the History of Technology (SHOT), and the Foundation for the History of Technology in the Netherlands. The event will take place on site in Dar es Salaam, Tanzania. Lodging and main meals are provided by the organizers; a one-day excursion is also included. Participants from Africa are invited to apply for travel grants. Selected applicants will be notified Sept. 15, 2022, and they will be requested to submit preliminary conference papers (min. 2,500 words) by Nov. 15, 2022. Representatives of leading scientific journals will be present at the event. Contact Info:  Professor Mikael Hård ERC Project “A Global History of Technology, 1850-2000” Institute of History Technical University of Darmstadt Schloss, Marktplatz 15 64283 Darmstadt Germany Contact Email:  hard@ifs.tu-darmstadt.de URL:  http://www.global-hot.eu
    By: Raquel Acosta
  • +2
    Technology and Material Culture in African History: Challenges and Potentials for Research
    Technology and Material Culture in African History:Challenges and Potentials for Research and Teaching An international conference, Dar es Salaam, Tanzania, January 4 – 8, 2023   Call for Papers and Roundtables   The conference seeks to consolidate and foster the further development of history of technology and material culture in Africa. By gathering scholars from Tanzania and across Africa, as well as colleagues from other continents, the conference will demonstrate the discipline’s high degree of relevance—to the research and teaching of history and adjacent fields, as well as to contemporary political agendas. The organizers wish to use this event to discuss how historians of technology and material culture may contribute to the writing of a “usable past” for further generations.   The organizers invite historians, archaeologists, anthropologists, geographers, sociologists, and urban scholars to discuss the potentials of interdisciplinary and international collaboration around present intellectual, social, technological, and environmental challenges in Africa and globally. In the recent past, African countries have increased citizens’ access to up-to-date mobility and communication technologies—electric household items, mobile phones, and engine-driven vehicles. As the variety of terms indicates—daladala, matatu, tro tros, bodaboda, bajaji, and so on—artifacts are not just simply imported, but constantly modified to fit local circumstances and needs. By and large, however, a historical understanding of these processes of domestication and reinvention is still lacking. That present-day historians of technology do not limit themselves to the study of modern, Western machines and systems, but include broader aspects of (pre-colonial, colonial, and post-colonial) “material culture,” also means the discipline plays a central role both in research projects and teaching programs.   There have been growing initiatives to integrate Africa into the global history of technology and material culture, but such efforts rarely focus on issues of teaching. Considering the ongoing curricular review at African universities, it is a pressing concern to discuss the potentials of including the history of technology and material culture in Bachelor and Masters programs. The organizers are convinced that the discipline of history needs to include an African perspective and showcase Africa’s contribution to global history of technology and material culture. Therefore, the conference focuses on policies, practices, and use to rethink the historiographic role played by material artifacts and systems. We believe there is a certain urgency in researching, writing, and teaching the history of technology and material culture from a truly African perspective. The organizers hope that the workshop will provide important additions to the nationalist and materialist views which have dominated African history research, writing, and teaching since independence. By giving participants an opportunity to discuss existing research projects and teaching programs, the organizers aim at laying the foundation for an international network of historians of technology and material culture in Africa. We thus ask interested teachers and researchers from Africa and beyond to contribute with standard workshop sessions and papers, roundtable discussions, and further innovative formats. Proposals may be on any thematic area in history of technology and material culture, for example: The place of technology and material culture in the teaching of African history The political “usefulness” of technological and material history Gender and material culture in African history Craft technologies (e.g., basketry, carpentry, weaving, pottery, metal working). Farming, fishing, and hunting technologies The adoption of material objects (e.g., cars, bicycles, electronic and domestic appliances) Infrastructure histories (e.g., transportation, water, power, sanitation) Repair and maintenance cultures Archaeological evidence Please submit 300-word proposals and one-page CVs to:Emanuel L. Mchome at emanuellukio@yahoo.com orFrank Edward at f38edward@yahoo.co.uk no later than August 31, 2022.   This unique event will be organized by the History Department at University of Dar es Salaam in collaboration with the ERC-funded research project “A Global History of Technology, 1850-2000” at the Technical University of Darmstadt in Germany, the Society for the History of Technology (SHOT), and the Foundation for the History of Technology in the Netherlands. The event will take place on site in Dar es Salaam, Tanzania. Lodging and main meals are provided by the organizers; a one-day excursion is also included. Participants from Africa are invited to apply for travel grants. Selected applicants will be notified Sept. 15, 2022, and they will be requested to submit preliminary conference papers (min. 2,500 words) by Nov. 15, 2022. Representatives of leading scientific journals will be present at the event. Contact Info:  Professor Mikael Hård ERC Project “A Global History of Technology, 1850-2000” Institute of History Technical University of Darmstadt Schloss, Marktplatz 15 64283 Darmstadt Germany Contact Email:  hard@ifs.tu-darmstadt.de URL:  http://www.global-hot.eu Read more
    By: Raquel Acosta
  • +1
    Call for Papers Comics and Graphic Novels in the World History Classroom
    World History Bulletin is seeking quality essays, lesson plans, and classroom activities for inclusion in its upcoming Fall 2022 issue, “Comics and Graphic Novels in the World History Classroom.” The deadline for submissions is August 29, 2022.   Guest-edited by Trevor R Getz, author of the graphic novel Abina and the Important Men, “Comics and Graphic Novels in the World History Classroom” explores the juncture of emergent popular forms of history and the traditional texts which have historically served as the backbone of history coursework. This point of overlap has caused friction, as shown recently with the banning of Art Spiegelman’s Holocaust-set Maus by a school board in the American state of Tennessee. The controversy over Maus has motivated conversations about the uses of comics and graphic novels in classrooms and the themes they depict, as well as raised questions about the limits on teaching curriculum.   Yet Maus is but one of many comics and graphic novels scholarly historians and instructors have used in their research and classrooms, from Perpetua’s Journey to The Arab of the Future and The Three Escapes of Hannah Arendt, each are rich in historical context and detailed storytelling, as well as provide vivid windows into moments of historical significance that capture the imagination of students—while at the same time being controversial. It is clear, however, that the trend toward popularizing historical events in this medium is accelerating, and World History Bulletin’s upcoming issue sets out to capture some of the ways in which educators and researchers have used comics and graphic novels in their work.   World History Bulletin invites contributions to a thematic issue at the intersection of popular histories in the form of comics and graphic novels and world histories. We are especially interested in articles that share fresh research or historiographical perspectives on the use of popular histories; present innovative teaching at all levels that employ comics and graphic novels to explore world history themes; or explore the connection between student engagement with traditional history texts and the medium of comics and graphic novels. We welcome short interviews with designers, artists, writers, and scholars and small roundtables on a book, film, or other work.   Essays and questions should be directed to Joseph M. Snyder, Editor-in-Chief of the World History Bulletin, at bulletin@thewha.org.
    By: Raquel Acosta
    post image
  • +1
    Call for Papers Comics and Graphic Novels in the World History Classroom
    World History Bulletin is seeking quality essays, lesson plans, and classroom activities for inclusion in its upcoming Fall 2022 issue, “Comics and Graphic Novels in the World History Classroom.” The deadline for submissions is August 29, 2022.   Guest-edited by Trevor R Getz, author of the graphic novel Abina and the Important Men, “Comics and Graphic Novels in the World History Classroom” explores the juncture of emergent popular forms of history and the traditional texts which have historically served as the backbone of history coursework. This point of overlap has caused friction, as shown recently with the banning of Art Spiegelman’s Holocaust-set Maus by a school board in the American state of Tennessee. The controversy over Maus has motivated conversations about the uses of comics and graphic novels in classrooms and the themes they depict, as well as raised questions about the limits on teaching curriculum.   Yet Maus is but one of many comics and graphic novels scholarly historians and instructors have used in their research and classrooms, from Perpetua’s Journey to The Arab of the Future and The Three Escapes of Hannah Arendt, each are rich in historical context and detailed storytelling, as well as provide vivid windows into moments of historical significance that capture the imagination of students—while at the same time being controversial. It is clear, however, that the trend toward popularizing historical events in this medium is accelerating, and World History Bulletin’s upcoming issue sets out to capture some of the ways in which educators and researchers have used comics and graphic novels in their work.   World History Bulletin invites contributions to a thematic issue at the intersection of popular histories in the form of comics and graphic novels and world histories. We are especially interested in articles that share fresh research or historiographical perspectives on the use of popular histories; present innovative teaching at all levels that employ comics and graphic novels to explore world history themes; or explore the connection between student engagement with traditional history texts and the medium of comics and graphic novels. We welcome short interviews with designers, artists, writers, and scholars and small roundtables on a book, film, or other work.   Essays and questions should be directed to Joseph M. Snyder, Editor-in-Chief of the World History Bulletin, at bulletin@thewha.org. Read more
    By: Raquel Acosta
    post image
  • +1
    New Open Access Issue: Electronic Journal of Africana Bibliography (Vol. 17, No. 1)
    The editorial team of the new Electronic Journal of Africana Bibliography (EJAB) is pleased to announce the publication of its first issue in 2022: Verbuyst, Rafael.  "Khoisan identity, politics, and representation in post-apartheid South Africa (1994-2022): a selective and annotated bibliography."  Electronic journal of Africana bibliography  Vol. 17, no. 1 (2022): 1-35.  https://journals.library.columbia.edu/index.php/ejab/article/view/9888   The author is currently a postdoctoral fellow at Ghent University, who earned a Ph.D. in Anthropology from University of the Western Cape (2021) and a Ph.D. in History from Ghent University (2021).   Together with global shifts in the fields of postcolonial studies, anthropology, and history, South Africa's democratic transition of 1994 invigorated debates about Khoisan identity, politics, and representation in South Africa and elsewhere. While classical themes continue to inform Khoisan Studies research, the increasing number of people self-identifying as Khoisan and engaging in activism accordingly has brought new debates, topics, and perspectives to the fore. In this selective and annotated bibliography, scholarly works that epitomize this trend are discussed.                                                                                              ****************************************************   EJAB is a refereed, online, open access journal of annotated bibliographies and bibliographic essays. Originally published by the University of Iowa Libraries between 1997 and 2014, the journal has been relaunched in 2022 by Columbia University Libraries with a US-based editorial team composed of African studies librarians from Columbia University, Harvard University, The Library of Congress, Michigan State University, and The University of Illinois, Urbana-Champaign. The mission of the journal is to serve the global research community in African and African Diaspora Studies by publishing freely-accessible, online annotated bibliographies and bibliographic essays on any aspect of Africa and the African Diaspora, including its peoples, their homes, cities, towns, districts, states, countries, and regions, and in all subject areas, with a special interest in history, politics, social movements, sustainable development, technology, creative literature, and the arts. The editorial team is still interested in receiving manuscript proposals for 2022.  We are particularly keen to publish works which address one of the following topics: cultural, economic, political, and/or social responses to COVID-19 in Africa  African youth in the 21st century  environmental and human security in the Sahel region identity, conflict, and peace in the Horn of Africa or the African Great Lakes region Islamic revival in Africa in the 21st century China-Africa relations in the 21st century human rights movements in Africa since 1990 involving persons with disabilities, women and girls, or LGBTQI* persons the international reparations movement for the descendants of those enslaved in the era of the transatlantic slave trade cultural and political expressions of Black internationalism since 1994 See our "Submission Guidelines" If interested in publishing with EJAB, please contact the Managing Editor, Dr. Yuusuf Caruso, African Studies Librarian, Columbia University, atcaruso@columbia.edu
    By: Raquel Acosta
  • +1
    New Open Access Issue: Electronic Journal of Africana Bibliography (Vol. 17, No. 1)
    The editorial team of the new Electronic Journal of Africana Bibliography (EJAB) is pleased to announce the publication of its first issue in 2022: Verbuyst, Rafael.  "Khoisan identity, politics, and representation in post-apartheid South Africa (1994-2022): a selective and annotated bibliography."  Electronic journal of Africana bibliography  Vol. 17, no. 1 (2022): 1-35.  https://journals.library.columbia.edu/index.php/ejab/article/view/9888   The author is currently a postdoctoral fellow at Ghent University, who earned a Ph.D. in Anthropology from University of the Western Cape (2021) and a Ph.D. in History from Ghent University (2021).   Together with global shifts in the fields of postcolonial studies, anthropology, and history, South Africa's democratic transition of 1994 invigorated debates about Khoisan identity, politics, and representation in South Africa and elsewhere. While classical themes continue to inform Khoisan Studies research, the increasing number of people self-identifying as Khoisan and engaging in activism accordingly has brought new debates, topics, and perspectives to the fore. In this selective and annotated bibliography, scholarly works that epitomize this trend are discussed.                                                                                              ****************************************************   EJAB is a refereed, online, open access journal of annotated bibliographies and bibliographic essays. Originally published by the University of Iowa Libraries between 1997 and 2014, the journal has been relaunched in 2022 by Columbia University Libraries with a US-based editorial team composed of African studies librarians from Columbia University, Harvard University, The Library of Congress, Michigan State University, and The University of Illinois, Urbana-Champaign. The mission of the journal is to serve the global research community in African and African Diaspora Studies by publishing freely-accessible, online annotated bibliographies and bibliographic essays on any aspect of Africa and the African Diaspora, including its peoples, their homes, cities, towns, districts, states, countries, and regions, and in all subject areas, with a special interest in history, politics, social movements, sustainable development, technology, creative literature, and the arts. The editorial team is still interested in receiving manuscript proposals for 2022.  We are particularly keen to publish works which address one of the following topics: cultural, economic, political, and/or social responses to COVID-19 in Africa  African youth in the 21st century  environmental and human security in the Sahel region identity, conflict, and peace in the Horn of Africa or the African Great Lakes region Islamic revival in Africa in the 21st century China-Africa relations in the 21st century human rights movements in Africa since 1990 involving persons with disabilities, women and girls, or LGBTQI* persons the international reparations movement for the descendants of those enslaved in the era of the transatlantic slave trade cultural and political expressions of Black internationalism since 1994 See our "Submission Guidelines" If interested in publishing with EJAB, please contact the Managing Editor, Dr. Yuusuf Caruso, African Studies Librarian, Columbia University, atcaruso@columbia.edu Read more
    By: Raquel Acosta
  • loading category
    loading