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CULTURE AND SOCIETY
UNESCO Prize for Girls’ and Women’s EducationThe 2022 Call for Nominations is open until 20 May Gender equality in education is a basic right and a prerequisite to build inclusive societies. Although notable progress has been made over the last 20 years, the ongoing COVID-19 pandemic has caused unprecedented disruption to education and exacerbated existing inequalities, disproportionately affecting girls and women. Today, 127 million girls of primary and secondary school age are out of school, three quarters of children who may never set foot in school are girls while women still accounted for almost two-thirds of all adults unable to read in 2019. (UNESCO Institute for Statistics). The UNESCO Prize for Girls’ and Women’s Education honours outstanding and innovative contributions made by individuals, institutions, and organizations to advance girls’ and women’s education. It is the first UNESCO Prize of this nature and is unique in showcasing successful projects that improve and promote the educational prospects of girls and women and in turn, the quality of their lives. Funded by the Government of the People’s Republic of China, the Prize is conferred annually to two laureates and consists of an award of US $50,000 each to help further their work in the area of girls’ and women’s education. The Director-General of UNESCO awarded the Prize for the first time in 2016. Established by UNESCO’s Executive Board, the Prize directly contributes to the attainment of the 2030 Sustainable Development agenda, particularly SDG 4 on education and 5 on gender equality. It also supports UNESCO’s global priorities included in the Medium-term Strategy 2022-2029 and the Gender Equality Action Plan 2014-2021 (GEAP II), as well as the UNESCO strategy for gender equality in and through education (2019-2025).By: Raquel AcostaNo Preview Available -
CULTURE AND SOCIETY
UNESCO Prize for Girls’ and Women’s EducationThe 2022 Call for Nominations is open until 20 May Gender equality in education is a basic right and a prerequisite to build inclusive societies. Although notable progress has been made over the last 20 years, the ongoing COVID-19 pandemic has caused unprecedented disruption to education and exacerbated existing inequalities, disproportionately affecting girls and women. Today, 127 million girls of primary and secondary school age are out of school, three quarters of children who may never set foot in school are girls while women still accounted for almost two-thirds of all adults unable to read in 2019. (UNESCO Institute for Statistics). The UNESCO Prize for Girls’ and Women’s Education honours outstanding and innovative contributions made by individuals, institutions, and organizations to advance girls’ and women’s education. It is the first UNESCO Prize of this nature and is unique in showcasing successful projects that improve and promote the educational prospects of girls and women and in turn, the quality of their lives. Funded by the Government of the People’s Republic of China, the Prize is conferred annually to two laureates and consists of an award of US $50,000 each to help further their work in the area of girls’ and women’s education. The Director-General of UNESCO awarded the Prize for the first time in 2016. Established by UNESCO’s Executive Board, the Prize directly contributes to the attainment of the 2030 Sustainable Development agenda, particularly SDG 4 on education and 5 on gender equality. It also supports UNESCO’s global priorities included in the Medium-term Strategy 2022-2029 and the Gender Equality Action Plan 2014-2021 (GEAP II), as well as the UNESCO strategy for gender equality in and through education (2019-2025). Read moreBy: Raquel AcostaNo Preview Available -
CULTURE AND SOCIETY+1
Call for Proposals for Research Teams for Women RISEResearch Teams are invited to submit Concept Notes for two-year research projects. Teams successful at the Concept Note stage will be invited to submit Full Proposals. The following types of research are considered in scope: Epidemiological studies that describe and analyze patterns of diseases or health among women and consider different population and occupational factors. Population health research that explores diverse women’s experiences as individuals and within the society (e.g., family and community, intergenerational relationships, socioeconomic groups, work groups and enterprises). Intervention and Implementation research focused on exploring how policies, practices and strategies already put in place to alleviate the impact of COVID-19 influence the relationships between women’s paid and unpaid work and their health. Specific Research Areas A subset of funds is available to support research that is relevant to the scope and objectives of Women RISE and specifically addresses one of the following three Specific Research Areas: Infectious diseases research focused on understanding how relationships between women’s work and health have been shaped by and are shaping disruptions to infectious disease prevention, immunization programs and care services. HIV/AIDS STBBI research specific to women living with HIV/AIDS, COVID-19-related disruptions to HIV and STBBI prevention or care services, or the health of women in occupations that put them at increased risk for HIV and STBBI acquisition. Pandemics and other health emergencies research that investigates ways the COVID-19 experience can inform, improve, and safeguard women’s health and socioeconomic well-being against future health emergencies. Eligibility The Research Team must include a Principal Investigator (PI) who is a low- and middle-income country (LMIC) researcher based in the LMIC Lead Applicant Organization and residing in an eligible LMIC country/territory where the research is proposed. The PI will be the team lead and will work in close collaboration with a Canada-based Co-Principal Investigator (Co-PI) and a Decision-Maker Co-PI based in the same country as the Lead Applicant Organization or in a country where the research will take place. For applications involving Indigenous communities, the RT must include at least one member who self-identifies as Indigenous or provides evidence of having meaningful and culturally safe involvement with Indigenous Peoples in an Indigenous Health Research Environment. The Research Team must also include a Lead Applicant Organization and a Canadian Co-Applicant Organization. More details For more information, please read the detailed call for concept notes. Please also consult our frequently asked questions.By: Raquel AcostaNo Preview Available -
CULTURE AND SOCIETY+1
Call for Proposals for Research Teams for Women RISEResearch Teams are invited to submit Concept Notes for two-year research projects. Teams successful at the Concept Note stage will be invited to submit Full Proposals. The following types of research are considered in scope: Epidemiological studies that describe and analyze patterns of diseases or health among women and consider different population and occupational factors. Population health research that explores diverse women’s experiences as individuals and within the society (e.g., family and community, intergenerational relationships, socioeconomic groups, work groups and enterprises). Intervention and Implementation research focused on exploring how policies, practices and strategies already put in place to alleviate the impact of COVID-19 influence the relationships between women’s paid and unpaid work and their health. Specific Research Areas A subset of funds is available to support research that is relevant to the scope and objectives of Women RISE and specifically addresses one of the following three Specific Research Areas: Infectious diseases research focused on understanding how relationships between women’s work and health have been shaped by and are shaping disruptions to infectious disease prevention, immunization programs and care services. HIV/AIDS STBBI research specific to women living with HIV/AIDS, COVID-19-related disruptions to HIV and STBBI prevention or care services, or the health of women in occupations that put them at increased risk for HIV and STBBI acquisition. Pandemics and other health emergencies research that investigates ways the COVID-19 experience can inform, improve, and safeguard women’s health and socioeconomic well-being against future health emergencies. Eligibility The Research Team must include a Principal Investigator (PI) who is a low- and middle-income country (LMIC) researcher based in the LMIC Lead Applicant Organization and residing in an eligible LMIC country/territory where the research is proposed. The PI will be the team lead and will work in close collaboration with a Canada-based Co-Principal Investigator (Co-PI) and a Decision-Maker Co-PI based in the same country as the Lead Applicant Organization or in a country where the research will take place. For applications involving Indigenous communities, the RT must include at least one member who self-identifies as Indigenous or provides evidence of having meaningful and culturally safe involvement with Indigenous Peoples in an Indigenous Health Research Environment. The Research Team must also include a Lead Applicant Organization and a Canadian Co-Applicant Organization. More details For more information, please read the detailed call for concept notes. Please also consult our frequently asked questions. Read moreBy: Raquel AcostaNo Preview Available -
CULTURE AND SOCIETY
Volunteer Internship Opportunities in TanzaniaTwo organizations are looking for interns with good writing skills, in Dar es Salaam and Arusha, Tanzania. Both can provide secure and well-appointed housing for the volunteer, but other expenses (food, transport, visa) will have to be covered by the volunteer. Both would be good opportunities for graduate students with an interest in East Africa to meet people and become part of a community. Swahili proficiency is not needed, but some familiarity with Swahili would be valuable for a good experience. Mkuki na Nyota Publishers is Tanzania's most prestigious publisher and the volunteer will work under the direction of the owner and director, Walter Bgoya, one of Tanzania's elder statesmen of letters. The intern will be involved in all aspects of publishing depending on expertise, but mainly marketing and copyediting in English. The volunteer would be provided with a safe and well-appointed apartment in downtown Dar es Salaam near the Mkuku na Nyota office. Interested candidates should contact Walter Bgoya by email. Pamoja Tuwalee grows out World Education Inc. (WEI) and continues to implement projects in education and care for orphans and vulnerable children. The volunteer would work with Lilian Badi, who has worked with WEI and its associated programs for over a decade. The volunteer would work primarily on proposal writing. The volunteer would be provided with a safe and well-appointed apartment near the Pamoja Tuwalee office. Interested candidates should contact Lillian Badi by email. For more questions you can also reach out to Paul Bjerk at Texas Tech UniversityBy: Raquel AcostaNo Preview Available -
CULTURE AND SOCIETY
Volunteer Internship Opportunities in TanzaniaTwo organizations are looking for interns with good writing skills, in Dar es Salaam and Arusha, Tanzania. Both can provide secure and well-appointed housing for the volunteer, but other expenses (food, transport, visa) will have to be covered by the volunteer. Both would be good opportunities for graduate students with an interest in East Africa to meet people and become part of a community. Swahili proficiency is not needed, but some familiarity with Swahili would be valuable for a good experience. Mkuki na Nyota Publishers is Tanzania's most prestigious publisher and the volunteer will work under the direction of the owner and director, Walter Bgoya, one of Tanzania's elder statesmen of letters. The intern will be involved in all aspects of publishing depending on expertise, but mainly marketing and copyediting in English. The volunteer would be provided with a safe and well-appointed apartment in downtown Dar es Salaam near the Mkuku na Nyota office. Interested candidates should contact Walter Bgoya by email. Pamoja Tuwalee grows out World Education Inc. (WEI) and continues to implement projects in education and care for orphans and vulnerable children. The volunteer would work with Lilian Badi, who has worked with WEI and its associated programs for over a decade. The volunteer would work primarily on proposal writing. The volunteer would be provided with a safe and well-appointed apartment near the Pamoja Tuwalee office. Interested candidates should contact Lillian Badi by email. For more questions you can also reach out to Paul Bjerk at Texas Tech University Read moreBy: Raquel AcostaNo Preview Available -
CULTURE AND SOCIETY+1
CALL FOR PAPERS International Journal of Islamic Architecture (IJIA)CFP for IJIA Special Issue on Climate Change and the Built Environment in the Islamic World Special Issue: Climate Change and the Built Environment in the Islamic World Thematic volume planned for May 2024 (IJIA 13.2)Proposal submission deadline: April 30, 2022 This special issue of IJIA focuses on the impact of the current climate crisis on the built environments of the Islamic world. Environmentalist scholar and eco-theologist Seyyed Hossein Nasr once said that the natural environment occupies a type of ‘sacred’ space in the world, an elevated position that exists only because nature is ‘always in danger of desecration’ (Chidester and Linenthal 1995). In fact, many scientists are now seeing our current global predicament as evidence of the emergence of a ‘fifth nature’ or ‘post nature’, referring to a world ‘after’ nature or potentially beyond or in addition to it, which expands the central definition of the ‘natural’ to include man-made waste, environmental pollution, and importantly climate change as part and parcel of a lived and living ecosystem (Apotsos and Venter 2020). To this end, this special issue takes up the challenge of unpacking this complex topic by utilizing architecture as a space of discourse for thinking about how one might craft a theory of ‘critical environmentalism’ across the Islamic world. Currently accounting for 40 per cent of the world’s total energy usage per year, the built environment provides a fitting platform for a consideration of climate change and attendant environmental themes such as sustainability – broadly defined as ‘the endurance of systems and processes’ – towards examining how such realities are made manifest through the lens of diverse spatial templates within Muslim societies around the globe. To this point, many architectural approaches being explored in the contemporary period as potential solutions to building in an increasingly unstable climatic future are rooted in historical practices, many of which emerged in proto-Islamic lands. Archaeological evidence from North Africa and the Middle East, for example, not only suggest that early civilizations used thermodynamically efficient materials like earth to build in desert environments, but also developed an understanding of how to generate livable microclimates through infrastructural design and engineering. Some of these early approaches have also served as the basis for some of the first modern attempts at crafting climate-appropriate design, spearheaded by architects such as Hassan Fathy (Egypt) and his utilisation of AT (Appropriate Technology), and even certain contemporary structural counterparts like Dubai’s new eco-mosque in Hatta, which opened in 2021 and uses both solar panels to reduce its energy usage and water treatment units to reuse water for irrigation and cleaning due to the lack of potable water sources in the region. Importantly as well, such building projects and approaches also gesture towards shifting conditions and modes of being in the world, realities informed by numerous different perspectives ranging from social, cultural, economic, and even religious modes of existence. In 2021, the Saudi Arabian government issued a fatwa on the topic of water reuse, requiring mosques in both Mecca and Medina to recycle wastewater or ‘grey water’ due to the limited potable water resources in the region and the extreme drain on regional water resources that events like the annual Hajj provoke. Some see this as evidence of the emergence of a ‘Green Deen’, or an approach to sustainability that positions environmental stewardship as a faith-based ordinance. Contemporary considerations of the effects of climate change on built environments throughout the Islamic world also compel a reconsideration of the continuing fallacy imposed by western Enlightenment thought that the relationship between architecture and the environment is one of mutual exclusion. Although advancements in green technology, the growth of design fields oriented around biomimetic applications, and the development of sustainable building materials such as ‘cradle to cradle’ products are shifting the relationship between built form and the environment in a more cooperative direction, the fact remains that architectural practice continues to position the natural environment as a separate, distinct realm to be studied and above all controlled, a largely non-collaborative system that rarely overlaps with the built environment unless forced and often actively opposes it. To this end, this special issue encourages contributions that explore the role of architecture and the built environment in shaping the contours of current climate change and environmentalist discourse in the context of diverse socio-political, cultural, and economic spheres throughout the Islamic world. Contributions might consider past and present events, circumstances, and spaces that offer different or nonconventional interpretations of environmentalism and even the idea of ‘nature’ itself as a space of multiple perspectives, definitions, and concerns, as well as how communities individually encounter and define environmental concerns and incorporate natural design elements into structural responses and solutions specific to the context. Papers might additionally address how architecture as an analytical mechanism challenges established approaches and tendencies that position the built environment in opposition to environmentalist concerns by recognizing its capacity to act as a type of text composed of multiple narratives and registers of knowledge that reflects the value system and frameworks operating within a society at a particular moment with regards to the environment. Papers should adhere to the IJIA’s remit, which is defined broadly as ‘the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions’. Further, contributors should fully exploit the self-reflexive potential of this remit towards addressing a spectrum of critical approaches to the built environment in the Islamic world that not only position architecture as a theatre of environmental performance, but also a platform from which to consider additional conditions revolving around issues of race, gender, ethnicity, culture, and politics as they relate to environmental challenges and concerns. To this end, this special issue not only aims to be strongly interdisciplinary, drawing from fields ranging from urban design, history, architecture, archaeology, sociology, and anthropology, but also accommodate a diversity of discourses that focus on regions, communities, and built environments not widely addressed in scholarship on Islamic space. Such case studies are particularly important toward generating a comparative interrogative approach to effectively consider the ongoing encounter/relationship between humanity and the natural world over time and space. Examples of themes contributors might wish to explore include, but are not limited to, the following: Imagining sustainable futures/architecture as an environmentalist frontier Global warming, climate change, and its social/cultural impacts Natural aesthetics as design inspiration Green architecture in desert environments Environmentalism, heritage, and its discontents Eco-Islam and the ‘Green Deen’ Armed conflict and its environmental impacts/implications Petropolitics and sustainable space Architecture and ecological conservation/preservation Non-traditional/emerging designs, materials, and spaces Colonial/postcolonial frameworks in environmental discourse AT (appropriate technology) Articles offering historical and theoretical analysis (DiT papers) should be between 6000 and 8000 words, and those on design and practice (DiP papers) between 3000 and 4000 words. Practitioners are welcome to contribute insofar as they address the critical framework of the journal. Please send a title and a 400-word abstract to the guest editor, Michelle Apotsos, Williams College (IJIAsustainability@gmail.com), by April 30, 2022. Authors of accepted proposals will be contacted soon thereafter and will be requested to submit full papers by January 30, 2023. All papers will be subject to blind peer review. For author instructions, please consult: www.intellectbooks.com/ijia.By: Raquel AcostaNo Preview Available -
CULTURE AND SOCIETY+1
CALL FOR PAPERS International Journal of Islamic Architecture (IJIA)CFP for IJIA Special Issue on Climate Change and the Built Environment in the Islamic World Special Issue: Climate Change and the Built Environment in the Islamic World Thematic volume planned for May 2024 (IJIA 13.2)Proposal submission deadline: April 30, 2022 This special issue of IJIA focuses on the impact of the current climate crisis on the built environments of the Islamic world. Environmentalist scholar and eco-theologist Seyyed Hossein Nasr once said that the natural environment occupies a type of ‘sacred’ space in the world, an elevated position that exists only because nature is ‘always in danger of desecration’ (Chidester and Linenthal 1995). In fact, many scientists are now seeing our current global predicament as evidence of the emergence of a ‘fifth nature’ or ‘post nature’, referring to a world ‘after’ nature or potentially beyond or in addition to it, which expands the central definition of the ‘natural’ to include man-made waste, environmental pollution, and importantly climate change as part and parcel of a lived and living ecosystem (Apotsos and Venter 2020). To this end, this special issue takes up the challenge of unpacking this complex topic by utilizing architecture as a space of discourse for thinking about how one might craft a theory of ‘critical environmentalism’ across the Islamic world. Currently accounting for 40 per cent of the world’s total energy usage per year, the built environment provides a fitting platform for a consideration of climate change and attendant environmental themes such as sustainability – broadly defined as ‘the endurance of systems and processes’ – towards examining how such realities are made manifest through the lens of diverse spatial templates within Muslim societies around the globe. To this point, many architectural approaches being explored in the contemporary period as potential solutions to building in an increasingly unstable climatic future are rooted in historical practices, many of which emerged in proto-Islamic lands. Archaeological evidence from North Africa and the Middle East, for example, not only suggest that early civilizations used thermodynamically efficient materials like earth to build in desert environments, but also developed an understanding of how to generate livable microclimates through infrastructural design and engineering. Some of these early approaches have also served as the basis for some of the first modern attempts at crafting climate-appropriate design, spearheaded by architects such as Hassan Fathy (Egypt) and his utilisation of AT (Appropriate Technology), and even certain contemporary structural counterparts like Dubai’s new eco-mosque in Hatta, which opened in 2021 and uses both solar panels to reduce its energy usage and water treatment units to reuse water for irrigation and cleaning due to the lack of potable water sources in the region. Importantly as well, such building projects and approaches also gesture towards shifting conditions and modes of being in the world, realities informed by numerous different perspectives ranging from social, cultural, economic, and even religious modes of existence. In 2021, the Saudi Arabian government issued a fatwa on the topic of water reuse, requiring mosques in both Mecca and Medina to recycle wastewater or ‘grey water’ due to the limited potable water resources in the region and the extreme drain on regional water resources that events like the annual Hajj provoke. Some see this as evidence of the emergence of a ‘Green Deen’, or an approach to sustainability that positions environmental stewardship as a faith-based ordinance. Contemporary considerations of the effects of climate change on built environments throughout the Islamic world also compel a reconsideration of the continuing fallacy imposed by western Enlightenment thought that the relationship between architecture and the environment is one of mutual exclusion. Although advancements in green technology, the growth of design fields oriented around biomimetic applications, and the development of sustainable building materials such as ‘cradle to cradle’ products are shifting the relationship between built form and the environment in a more cooperative direction, the fact remains that architectural practice continues to position the natural environment as a separate, distinct realm to be studied and above all controlled, a largely non-collaborative system that rarely overlaps with the built environment unless forced and often actively opposes it. To this end, this special issue encourages contributions that explore the role of architecture and the built environment in shaping the contours of current climate change and environmentalist discourse in the context of diverse socio-political, cultural, and economic spheres throughout the Islamic world. Contributions might consider past and present events, circumstances, and spaces that offer different or nonconventional interpretations of environmentalism and even the idea of ‘nature’ itself as a space of multiple perspectives, definitions, and concerns, as well as how communities individually encounter and define environmental concerns and incorporate natural design elements into structural responses and solutions specific to the context. Papers might additionally address how architecture as an analytical mechanism challenges established approaches and tendencies that position the built environment in opposition to environmentalist concerns by recognizing its capacity to act as a type of text composed of multiple narratives and registers of knowledge that reflects the value system and frameworks operating within a society at a particular moment with regards to the environment. Papers should adhere to the IJIA’s remit, which is defined broadly as ‘the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions’. Further, contributors should fully exploit the self-reflexive potential of this remit towards addressing a spectrum of critical approaches to the built environment in the Islamic world that not only position architecture as a theatre of environmental performance, but also a platform from which to consider additional conditions revolving around issues of race, gender, ethnicity, culture, and politics as they relate to environmental challenges and concerns. To this end, this special issue not only aims to be strongly interdisciplinary, drawing from fields ranging from urban design, history, architecture, archaeology, sociology, and anthropology, but also accommodate a diversity of discourses that focus on regions, communities, and built environments not widely addressed in scholarship on Islamic space. Such case studies are particularly important toward generating a comparative interrogative approach to effectively consider the ongoing encounter/relationship between humanity and the natural world over time and space. Examples of themes contributors might wish to explore include, but are not limited to, the following: Imagining sustainable futures/architecture as an environmentalist frontier Global warming, climate change, and its social/cultural impacts Natural aesthetics as design inspiration Green architecture in desert environments Environmentalism, heritage, and its discontents Eco-Islam and the ‘Green Deen’ Armed conflict and its environmental impacts/implications Petropolitics and sustainable space Architecture and ecological conservation/preservation Non-traditional/emerging designs, materials, and spaces Colonial/postcolonial frameworks in environmental discourse AT (appropriate technology) Articles offering historical and theoretical analysis (DiT papers) should be between 6000 and 8000 words, and those on design and practice (DiP papers) between 3000 and 4000 words. Practitioners are welcome to contribute insofar as they address the critical framework of the journal. Please send a title and a 400-word abstract to the guest editor, Michelle Apotsos, Williams College (IJIAsustainability@gmail.com), by April 30, 2022. Authors of accepted proposals will be contacted soon thereafter and will be requested to submit full papers by January 30, 2023. All papers will be subject to blind peer review. For author instructions, please consult: www.intellectbooks.com/ijia. Read moreBy: Raquel AcostaNo Preview Available -
CULTURE AND SOCIETY
Weaving Histories from Below in the Global South. Needlework, Gender, and Empowerment in AfricaCALL FOR PAPERS Conference Weaving Histories from Below in the Global South Needlework, Gender, and Empowerment in Southern Africa Johannesburg 2-3 November 2022 Wrapped around the walls of the Parliament in Cape Town is the Keiskamma Tapestry, created in the 2000’s by more than a hundred Xhosa women. Modelled on the Bayeux tapestry in France, and spanning 120 meters in length, this tapestry tells the epic history of the Xhosa people on the Eastern Cape Frontier.i This work of embroidery brings the voices and the experiences of women into one of the most powerful buildings in South Africa: where policies are made and debated, where budgets are decided, and where power is negotiated. It offers an interesting echo to the tapestry made by Afrikaner women embroidered in the 1950s at the height of apartheid with the ambition to exalt the Boer Great Trek of the nineteenth century — and still on display in the Voortrekker Monument in Pretoria, a landmark of the Afrikaner memory. As these two examples show, politics, history and memory can surface at the end of a needle and sometimes a needle can be as powerful as a pen, if not as a sword. Beyond such political questioning, various issues emerge around the objects related to needlework and ornamental activities in Southern Africa. The ambition of this conference is to interrogate how the rich material culture of “needlework” —embroidery, beadwork, weaving, tapestry, spinning, knitting, etc. — can give access to subaltern voices and social actors. Mainly related to women, such culture is often considered ‘modest’ in comparison to male productions. However, in addition to its practical purposes, it provides genuine forms of cultural and artistic expression. In addition, they are part of an economic sector in their own right, whose importance has long been diminished, as women’s labour is often “free” or underpaid. Of particular interest is the positioning of these activities within the everyday, at the intersection of art versus labour, and culture versus history, together with their materiality, and their ability to communicate in non-verbal and non-textual ways that endows them with such potential. Needlework is also part of these so-called “traditions” where innovation has been constant, from the bone needles of prehistoric times to the computer-assisted design of our era. Black women, who have historically been triply marginalised on the basis of race, class and gender often remain invisible in records and archives. In this context, needlework traditions hold the potential “to give voice to those who might otherwise go unheard”ii as emphasised by Clare Hunter. For instance, the Amazwi Abesifazane (Women’s Voices) memory cloth programme allowed several thousand Zulu, Sotho, and Xhosa women to document their experiences of violence and discrimination under apartheid, and find healing, community with other women, and a place in history.iii By bringing together researchers from diverse disciplinary backgrounds (history, art history, anthropology, archaeology, economics, sociology, geography, visual arts, etc.), the main objective of the conference is to reflect on how a new set of material objects and practices can offer “new sites” and encourage innovative “critical pedagogies” from which to write gendered and subaltern histories. This perspective has long been advocated by Achille Mbembe and Sarah Nuttall who called for “identifying sites within the continent, entry and exit points not usually dwelt upon in research and public discourse that defamiliarize common-sense readings”. In the United States, research on African American quilting traditions has shown the way in which quilt patterns were used to guide runaway slaves navigate the perilous journey from south to north as part of the underground railroad, contributing to our understanding of the gendered nature of black liberation and the retention of African technologies, culture and aesthetics, despite enslavement. Passed down across generations such patterns furthermore speak to the relationship between oral histories, story-telling, migration and needlework traditions.v Returning to the African continent, Anitra Nettleton’s work on the changing patterns of beadwork and clothing decoration in nineteenth century South Africa illustrates how such traditions were used by African women to navigate between tradition and modernity, and renegotiate identity in a transforming world thrown open by capitalism, migrant labour and Christianity.vi Contemporary African American artist Bisa Butler also takes up a similar theme – that of the renegotiation of identity — in her work, producing textured quilts from contemporary African fabrics, but drawing inspiration from archival photographs of famous and ordinary African Americas. In so doing her quilts “resurface and reimagine historical narratives of Black life simultaneously situating them in the present withinthebroadercontextofadiasporicidentityandnetworks.”vii Whileneedleworkactivitiescan provide a powerful means for bearing witness and expressions of trauma, they can indeed be mined as expressions of agency. In line with this approach, the Weaving Histories from Below Conference organisers call for abstracts studying needlework activities from diverse perspectives: as forms of autobiography/biography; as markers, makers of identity, both individual and collective; as discourses on history and on the past; as memory-building tools; as forms of resistance and disruption; as ways of negotiating/renegotiating complex identities; etc. They also expect proposals that consider, in their tangible dimension (both social and economic), these generally artisanal or artistic activities (which places and modes of production? Which networks? marketing channels? organisation of the workforce? etc.) — activities which often lead to the creation of gendered communities (women's cooperatives, for example), of gendered identities and spaces(feminine,orpossiblyqueer,non-binary);etc. Thislistisofcoursenotexhaustiveandall proposals in line with the theme will be welcomed. Contributions can cover a large time period, from the Prehistoric era to nowadays, and stem from all the disciplines of the social sciences. Dr Annie Devenish (University of the Witwatersrand) Prof. Sophie Dulucq (IFAS-Research) Line Relisieux (IFAS-Research) Please submit your abstract before 30 April 2022, together with a short autobiography, at the following addresses: comm.research@ifas.org.za and sophie.dulucq@frenchinstitute.org.za Abstracts should not exceed 300 words (or 2500 characters).By: Raquel Acosta -
CULTURE AND SOCIETY
Weaving Histories from Below in the Global South. Needlework, Gender, and Empowerment in AfricaCALL FOR PAPERS Conference Weaving Histories from Below in the Global South Needlework, Gender, and Empowerment in Southern Africa Johannesburg 2-3 November 2022 Wrapped around the walls of the Parliament in Cape Town is the Keiskamma Tapestry, created in the 2000’s by more than a hundred Xhosa women. Modelled on the Bayeux tapestry in France, and spanning 120 meters in length, this tapestry tells the epic history of the Xhosa people on the Eastern Cape Frontier.i This work of embroidery brings the voices and the experiences of women into one of the most powerful buildings in South Africa: where policies are made and debated, where budgets are decided, and where power is negotiated. It offers an interesting echo to the tapestry made by Afrikaner women embroidered in the 1950s at the height of apartheid with the ambition to exalt the Boer Great Trek of the nineteenth century — and still on display in the Voortrekker Monument in Pretoria, a landmark of the Afrikaner memory. As these two examples show, politics, history and memory can surface at the end of a needle and sometimes a needle can be as powerful as a pen, if not as a sword. Beyond such political questioning, various issues emerge around the objects related to needlework and ornamental activities in Southern Africa. The ambition of this conference is to interrogate how the rich material culture of “needlework” —embroidery, beadwork, weaving, tapestry, spinning, knitting, etc. — can give access to subaltern voices and social actors. Mainly related to women, such culture is often considered ‘modest’ in comparison to male productions. However, in addition to its practical purposes, it provides genuine forms of cultural and artistic expression. In addition, they are part of an economic sector in their own right, whose importance has long been diminished, as women’s labour is often “free” or underpaid. Of particular interest is the positioning of these activities within the everyday, at the intersection of art versus labour, and culture versus history, together with their materiality, and their ability to communicate in non-verbal and non-textual ways that endows them with such potential. Needlework is also part of these so-called “traditions” where innovation has been constant, from the bone needles of prehistoric times to the computer-assisted design of our era. Black women, who have historically been triply marginalised on the basis of race, class and gender often remain invisible in records and archives. In this context, needlework traditions hold the potential “to give voice to those who might otherwise go unheard”ii as emphasised by Clare Hunter. For instance, the Amazwi Abesifazane (Women’s Voices) memory cloth programme allowed several thousand Zulu, Sotho, and Xhosa women to document their experiences of violence and discrimination under apartheid, and find healing, community with other women, and a place in history.iii By bringing together researchers from diverse disciplinary backgrounds (history, art history, anthropology, archaeology, economics, sociology, geography, visual arts, etc.), the main objective of the conference is to reflect on how a new set of material objects and practices can offer “new sites” and encourage innovative “critical pedagogies” from which to write gendered and subaltern histories. This perspective has long been advocated by Achille Mbembe and Sarah Nuttall who called for “identifying sites within the continent, entry and exit points not usually dwelt upon in research and public discourse that defamiliarize common-sense readings”. In the United States, research on African American quilting traditions has shown the way in which quilt patterns were used to guide runaway slaves navigate the perilous journey from south to north as part of the underground railroad, contributing to our understanding of the gendered nature of black liberation and the retention of African technologies, culture and aesthetics, despite enslavement. Passed down across generations such patterns furthermore speak to the relationship between oral histories, story-telling, migration and needlework traditions.v Returning to the African continent, Anitra Nettleton’s work on the changing patterns of beadwork and clothing decoration in nineteenth century South Africa illustrates how such traditions were used by African women to navigate between tradition and modernity, and renegotiate identity in a transforming world thrown open by capitalism, migrant labour and Christianity.vi Contemporary African American artist Bisa Butler also takes up a similar theme – that of the renegotiation of identity — in her work, producing textured quilts from contemporary African fabrics, but drawing inspiration from archival photographs of famous and ordinary African Americas. In so doing her quilts “resurface and reimagine historical narratives of Black life simultaneously situating them in the present withinthebroadercontextofadiasporicidentityandnetworks.”vii Whileneedleworkactivitiescan provide a powerful means for bearing witness and expressions of trauma, they can indeed be mined as expressions of agency. In line with this approach, the Weaving Histories from Below Conference organisers call for abstracts studying needlework activities from diverse perspectives: as forms of autobiography/biography; as markers, makers of identity, both individual and collective; as discourses on history and on the past; as memory-building tools; as forms of resistance and disruption; as ways of negotiating/renegotiating complex identities; etc. They also expect proposals that consider, in their tangible dimension (both social and economic), these generally artisanal or artistic activities (which places and modes of production? Which networks? marketing channels? organisation of the workforce? etc.) — activities which often lead to the creation of gendered communities (women's cooperatives, for example), of gendered identities and spaces(feminine,orpossiblyqueer,non-binary);etc. Thislistisofcoursenotexhaustiveandall proposals in line with the theme will be welcomed. Contributions can cover a large time period, from the Prehistoric era to nowadays, and stem from all the disciplines of the social sciences. Dr Annie Devenish (University of the Witwatersrand) Prof. Sophie Dulucq (IFAS-Research) Line Relisieux (IFAS-Research) Please submit your abstract before 30 April 2022, together with a short autobiography, at the following addresses: comm.research@ifas.org.za and sophie.dulucq@frenchinstitute.org.za Abstracts should not exceed 300 words (or 2500 characters). Read moreBy: Raquel Acosta -
WATER, ENERGY, AND THE ENVIRONMENT
Africa and the Environment: Documenting and Archiving a Changing ClimateCALL FOR PAPERS Africa’s natural environment is rich and diverse, ranging from its wildlife and plants to its land and resources. It is also one of the continents most severely affected by climate change, with increasingly erratic weather events adversely impacting biodiversity, agriculture and those living there. This conference will explore library and archive materials relating to Africa and the environment and how they are collected, catalogued, preserved and used in research and teaching. We would welcome papers relating to a range of media including documents and manuscripts, photographs, newspapers, historical printed collections, audio-visual material and born-digital material. Subjects might include: How the archives of individuals and organisations working on environmental issues are being preserved and made available How library and archive materials are used to chart and address climate change How collections are used to research renewable energy in Africa How current field research is being preserved and published How environmental challenges affect libraries and archives in Africa and how they respond Librarians, archivists and researchers are invited to submit abstracts of up to 350 words for consideration to Sarah Rhodes (sarah.rhodes@bodleian.ox.ac.uk) by 31 March 2022. http://scolma.orgBy: Raquel AcostaNo Preview Available -
WATER, ENERGY, AND THE...
Africa and the Environment: Documenting and Archiving a Changing ClimateCALL FOR PAPERS Africa’s natural environment is rich and diverse, ranging from its wildlife and plants to its land and resources. It is also one of the continents most severely affected by climate change, with increasingly erratic weather events adversely impacting biodiversity, agriculture and those living there. This conference will explore library and archive materials relating to Africa and the environment and how they are collected, catalogued, preserved and used in research and teaching. We would welcome papers relating to a range of media including documents and manuscripts, photographs, newspapers, historical printed collections, audio-visual material and born-digital material. Subjects might include: How the archives of individuals and organisations working on environmental issues are being preserved and made available How library and archive materials are used to chart and address climate change How collections are used to research renewable energy in Africa How current field research is being preserved and published How environmental challenges affect libraries and archives in Africa and how they respond Librarians, archivists and researchers are invited to submit abstracts of up to 350 words for consideration to Sarah Rhodes (sarah.rhodes@bodleian.ox.ac.uk) by 31 March 2022. http://scolma.org Read moreBy: Raquel AcostaNo Preview Available -
EDUCATION
PILAF SKILL DEVELOPMENT IN STATA TRAININGStata is a complete and integrated data management software. It is fast, accurate, easy to use and provides all that can be considered as data science needs including data manipulation, visualization, statistics and automated reporting. Date: March 23rd to June 15th 2022 (every Wednesday). Time: 5:00pm – 7:00pm WAT. Mode of delivery: ZOOM Certificates shall be offered based on request and satisfactory level of participation during training. Who can participate: Academics Researchers Students (Undergraduates & Postgraduates) Data Analysts & Scientists Civil Servants Entrepreneurs Download training module here: PILAF STATA TRAINING MODULE FACILITATORS Prof. O.E. Olubusoye Dr. O.A. Otekunrin Registration closes 17th March, 2022. Register at PiLAF STATA Training Registration Form (google.com)By: Raquel AcostaNo Preview Available -
EDUCATION
PILAF SKILL DEVELOPMENT IN STATA TRAININGStata is a complete and integrated data management software. It is fast, accurate, easy to use and provides all that can be considered as data science needs including data manipulation, visualization, statistics and automated reporting. Date: March 23rd to June 15th 2022 (every Wednesday). Time: 5:00pm – 7:00pm WAT. Mode of delivery: ZOOM Certificates shall be offered based on request and satisfactory level of participation during training. Who can participate: Academics Researchers Students (Undergraduates & Postgraduates) Data Analysts & Scientists Civil Servants Entrepreneurs Download training module here: PILAF STATA TRAINING MODULE FACILITATORS Prof. O.E. Olubusoye Dr. O.A. Otekunrin Registration closes 17th March, 2022. Register at PiLAF STATA Training Registration Form (google.com) Read moreBy: Raquel AcostaNo Preview Available